Joseph Mallord William Turner The Arch of Augustus, Fano 1819
Joseph Mallord William Turner 1775–1851
Folio 63 Recto:
The Arch of Augustus, Fano 1819
D14603
Turner Bequest CLXXVI 59
Turner Bequest CLXXVI 59
Pencil on white wove paper, 111 x 184 mm
Inscribed by Turner in pencil ‘[?CASRARA] DIVI E AVGVSVS PONTIFEX MAXIMVS [...] | IVIXX [...] MURV[...]’ above right of centre, over arch, ‘CVRATE L TVRCIO SCECUNDO [?APROni]’ bottom right, and ‘[?Ani] PRAEF URB EIL ATERIO V C ORE [‘F’ inserted below] LAM ET PICANI’ at right-hand edge, ascending vertically
Inscribed by John Ruskin in red ink ‘59’ bottom right (now faint)
Stamped in black ‘CLXXVI – 59’ bottom right
Inscribed by Turner in pencil ‘[?CASRARA] DIVI E AVGVSVS PONTIFEX MAXIMVS [...] | IVIXX [...] MURV[...]’ above right of centre, over arch, ‘CVRATE L TVRCIO SCECUNDO [?APROni]’ bottom right, and ‘[?Ani] PRAEF URB EIL ATERIO V C ORE [‘F’ inserted below] LAM ET PICANI’ at right-hand edge, ascending vertically
Inscribed by John Ruskin in red ink ‘59’ bottom right (now faint)
Stamped in black ‘CLXXVI – 59’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.518, CLXXVI 59, as ‘Arch of Augustus, Fano’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 466 note 108.
2008
James Hamilton, ‘Turner e l’Italia’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, p.44.
2009
James Hamilton, ‘Turner’s Route to Rome’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, p.42.
Finberg correctly identified the subject as the Roman Arch of Augustus at Fano. Turner shows the south-western face of the arch, which spans what is now appropriately the Via Arco d’Augusto with the west end of the small church of San Michele in the foreground to the right. The stumps of columns above the main arch survive, but the upper storey of the church’s façade is now plain brick.
Oddly, despite going to the effort of recording as much of the monumental inscription as he could make out with considerable care, Turner appears to have distractedly truncated the view by making the space to the right of the main arch too narrow and excluding the small pedestrian archway there, which mirrors the one to the left. To the right of the church door he notes the curious and delicately carved bass relief reconstruction of the elevation of the arch with its original upper arcade.
Other views around Fano are noted under folio 62 verso (D14602; Turner Bequest CLXXVI 58a); because of this relatively extensive treatment, James Hamilton has suggested that Turner spent a night there.1 For Cecilia Powell’s comments on the relatively uneventful phase of Turner’s journey between leaving Rimini and reaching Ancona (folios 61 recto–69 recto; D14599–D14613; Turner Bequest CLXXVI 57–65), see under D14599.2
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The Arch of Augustus, Fano 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www