Joseph Mallord William Turner Studies of the Coast and Sky at Ostend, with the Spire of St Peter's Church 1840
Joseph Mallord William Turner 1775–1851
Folio 6 Verso:
Studies of the Coast and Sky at Ostend, with the Spire of St Peter’s Church 1840
D30471
Turner Bequest CCCIII 6a
Turner Bequest CCCIII 6a
Pencil on flecked pale blue laid paper, 104 x 170 mm
Partial watermark (countermark): indecipherable maker’s name
Inscribed by Turner in pencil ‘Ostend’ below right of centre
Partial watermark (countermark): indecipherable maker’s name
Inscribed by Turner in pencil ‘Ostend’ below right of centre
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.978, CCCIII 6a, as ‘On coast. – “Ostend.”‘.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.255 under no.407.
1994
Fred G.H. Bachrach, Turner’s Holland, exhibition catalogue, Tate Gallery, London 1994, p.26 note 52, as Ostend subject.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.72, 82 note 71, 246, as Ostend subject.
2012
Niamh Mac Nally in Anne Hodge and Mac Nally, The Works of J.M.W. Turner at the National Gallery of Ireland, Dublin 2012, p.106.
The three drawings were made one above the other with the page turned horizontally. The top one shows clouds and rain over a nondescript coastline, while those below show aspects of Ostend, with the old lighthouse and a windmill near the harbour channel in the middle view, and the skyline of the town, with the spire of the old St Peter’s Church (the ‘Peperbusse’), along the gutter, annotated below in tiny writing on folio 7 recto opposite (D30472).
Martin Butlin and Evelyn Joll have suggested this page and a few others ‘contain features which have some connection’ with the oil seascape Ostend Turner exhibited at the Royal Academy in 1844 (Neue Pinakothek, Munich),1 ‘although they are in so summary a shorthand style that it is difficult to be certain of a direct relationship.’2 See folio 6 recto (D30470) for one possible source.
Niamh Mac Nally has also noted this page in relation to a watercolour now known as Ostend Harbour (National Gallery of Ireland, Dublin),3 showing the lighthouse and a nearby windmill against a sunset sky.4 For numerous other Ostend views on adjacent pages, marking the end of Turner’s 1840 tour, see under folio 1 recto (D30460).5
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘Studies of the Coast and Sky at Ostend, with the Spire of St Peter’s Church 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www