Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Pello, Part of a Relief from a Child's Sarcophagus, a Statuette Group of Mars and Venus, and a Statuette of Bes 1819
Joseph Mallord William Turner 1775–1851
Folio 32 Verso:
Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Pello, Part of a Relief from a Child’s Sarcophagus, a Statuette Group of Mars and Venus, and a Statuette of Bes 1819
D15165
Turner Bequest CLXXX 31 a
Turner Bequest CLXXX 31 a
Pencil on white wove paper, 161 x 101 mm
Inscribed by the artist in pencil (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.532, as ‘Various figures’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.145, 415, 476 note 8, as ‘(a) Statue of Pello (A, I, pl.84, 686) (b) Fragment of a child’s sarcophagus (A, I, pl.82, 678) (c) Pediment and decorative relief (A, I, pl.78, 615–16) (d) Statuette group of Mars and Venus (A, I, pl.78, 627) (e) Statuette of Bes (A, I, pl.78, 621) (f) Mithras relief (A, I, pl.74, 568)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.51 note 6, 59 note 42.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page contains sketches of several objects, most or all of which were probably found in the Museo Chiaramonti. The studies are numbered from top left to bottom right:
a.
Cecilia Powell has identified the sketch in the top left-hand corner as depicting the statue of Pello, which stands on top of the funerary altar of Mithrasia Severa in the Museo Chiaramonti.1 A sketch of the altar can be found on the previous page, see folio 32 (D15164; Turner Bequest CLXXX 31). The sculpture also features within a sheet of antiquities drawn by James Hakewill (1778–1843) in 1817 (British School at Rome Library).2
b.
Powell has identified the sketch in the top right-hand corner as a fragment from a child’s sarcophagus,3 also from the Museo Chiaramonti.4
c.
Powell has identified the sketch on the left-hand side of the central row as a pediment and part of a decorative relief from the Museo Chiaramonti.5
d.
Powell has identified the sketch in the centre of the page as a statuette group of Mars and Venus from the Museo Chiaramonti.6
e.
Powell has identified the sketch on the right-hand side of the central row as a statuette of Bes from the Museo Chiaramonti.7 Until 1899, this statue stood on a shelf in between the objects represented in previous two sketches (c and d). It can now be found in the Museo Egiziano (Egyptian Museum).
f.
Powell had identified the sketch as the bottom of the page as a Mithras relief from the Museo Chiaramonti.8 Mithraism was a mystery or cult religion practised across the Roman empire and relating to the Persian god, Mithras. The artist has annotated the drawing ‘644’ in the top right-hand corner, which presumably relates to an exhibit number displayed on the work. However, it does not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
Cecilia Powell has identified the sketch in the top left-hand corner as depicting the statue of Pello, which stands on top of the funerary altar of Mithrasia Severa in the Museo Chiaramonti.1 A sketch of the altar can be found on the previous page, see folio 32 (D15164; Turner Bequest CLXXX 31). The sculpture also features within a sheet of antiquities drawn by James Hakewill (1778–1843) in 1817 (British School at Rome Library).2
b.
Powell has identified the sketch in the top right-hand corner as a fragment from a child’s sarcophagus,3 also from the Museo Chiaramonti.4
c.
Powell has identified the sketch on the left-hand side of the central row as a pediment and part of a decorative relief from the Museo Chiaramonti.5
d.
Powell has identified the sketch in the centre of the page as a statuette group of Mars and Venus from the Museo Chiaramonti.6
e.
Powell has identified the sketch on the right-hand side of the central row as a statuette of Bes from the Museo Chiaramonti.7 Until 1899, this statue stood on a shelf in between the objects represented in previous two sketches (c and d). It can now be found in the Museo Egiziano (Egyptian Museum).
f.
Powell had identified the sketch as the bottom of the page as a Mithras relief from the Museo Chiaramonti.8 Mithraism was a mystery or cult religion practised across the Roman empire and relating to the Persian god, Mithras. The artist has annotated the drawing ‘644’ in the top right-hand corner, which presumably relates to an exhibit number displayed on the work. However, it does not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
Cecilia Powell has suggested that sketches of female sculpture such as the woman carrying a box on this page may have provided inspiration for the foreground figures in Turner’s later oil painting,9 Phyrne Going to the Public Baths as Venus – Demosthenese Taunted by Aeschines exhibited 1838 (Tate, N00522).10
Nicola Moorby
November 2009
Powell 1984, p.415; see Walther Amelung, Die Sculpturen des Vaticanischen Museums, Berlin 1903–8, vol.I, ‘Museo Chiaramonti I Seite 309–560’, no.686, p.780, reproduced pl.84, left.
See Tony Cubberley and Luke Herrmann, Twilight of the Grand Tour: A Catalogue of the drawings by James Hakewill in the British School at Rome Library, Rome 1992, no.5M.19, reproduced p.313.
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Pello, Part of a Relief from a Child’s Sarcophagus, a Statuette Group of Mars and Venus, and a Statuette of Bes 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www