Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including Maenads on a Round Altar and Two Seated Female Statues 1819
Joseph Mallord William Turner 1775–1851
Folio 25 Verso:
Studies of Sculptural Fragments from the Vatican Museums, Including Maenads on a Round Altar and Two Seated Female Statues 1819
D15152
Turner Bequest CLXXX 24 a
Turner Bequest CLXXX 24 a
Pencil on white wove paper, 161 x 101 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.532, as ‘Dancing and seated figures’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.414, 476 note 8, as ‘Maenads on a round altar (A, II, pl.17, 102u) (b) and (c) Two seated female statues (A, II, pl.17, 102s and q)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 6.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). The three sketches on this page are numbered top left to bottom right:
a.
Cecilia Powell has identified the subject of the top sketch as a relief of maenads from a round altar,1 found in the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere).2
b.
Powell has further identified the sculpture of a female figure in the bottom left-hand corner as that which is placed above the altar in the sketch above.3 Today the object can be found in the centre of the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere) in the Museo Pio-Clementino.4
c.
Similarly, the female figure in the bottom right-hand corner tops a round altar dedicated to Hercules.5 Today the object can be found in the centre of the Cortile Ottagono in the Museo Pio-Clementino.6 Details of the relief decoration from the altar can be seen on the opposite sheet of the double-page spread, see folio 26 (D15133; Turner Bequest CLXXX 25).
Cecilia Powell has identified the subject of the top sketch as a relief of maenads from a round altar,1 found in the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere).2
b.
Powell has further identified the sculpture of a female figure in the bottom left-hand corner as that which is placed above the altar in the sketch above.3 Today the object can be found in the centre of the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere) in the Museo Pio-Clementino.4
c.
Similarly, the female figure in the bottom right-hand corner tops a round altar dedicated to Hercules.5 Today the object can be found in the centre of the Cortile Ottagono in the Museo Pio-Clementino.6 Details of the relief decoration from the altar can be seen on the opposite sheet of the double-page spread, see folio 26 (D15133; Turner Bequest CLXXX 25).
Nicola Moorby
November 2009
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments from the Vatican Museums, Including Maenads on a Round Altar and Two Seated Female Statues 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www