Joseph Mallord William Turner St-Germain-en-Laye c.1833
Joseph Mallord William Turner 1775–1851
St-Germain-en-Laye c.1833
D24687
Turner Bequest CCLIX 122
Turner Bequest CCLIX 122
Gouache and watercolour on blue paper, 140 x 195 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX – 122’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX – 122’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (146, as ‘St. Germains’ (sic)).
1958
Eight Centuries of Landscape and Natural History in European Water-colour 1180–1920, Department of Prints and Drawings, British Museum, London, April 1958 (bay 64).
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (407).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (142).
1995
Peindre le ciel: De Turner à Monet, Musée-Promenade, Marly-le-Roi / Louvecienes, April–July 1995 (200).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (140).
2002
Thomas Girtin: The Art of Watercolour, Tate Britain, London, July–September 2002 (200).
2009
Colour and Line: Turner’s Experiments [fourth hang], Tate Britain, London, December 2009–July 2010 (no catalogue).
References
1834
Spectator, 6 December 1834, p.1167.
1903
Charles Holme ed., Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, pl.87 (W27).
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 614 no.146, as ‘St. Germains’ (sic).
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.796, CCLIX 122, as ‘St. Germain’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.273 under no.480.
1958
Eight Centuries of Landscape and Natural History in European Water-colour 1180–1920, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1958, p.4 under ‘bay’ no.64.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.120 no.407, as ‘St. Germain en Laye c.1829’.
1977
Nicholas J. Alfrey, ‘Turner and the French Rivers’, unpublished MA Report, Courtauld Institute, University of London 1977, pp.51–2.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.415 no.978, reproduced, as ‘St. Germain c.1832’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.142, p.448, fig.910.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.25, fig.7.
1995
Christine Kayser, David Brown, Richard Hearn and others, Peindre le ciel: De Turner à Monet, exhibition catalogue, Musée-Promenade, Marly-le-Roi / Louvecienes 1995, pp.14, 25 fig.7.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.64, 210, 211, 267 under no.39, 277 no.140, fig.200 (colour).
2002
Greg Smith, Peter Bower, Anne Lyles and others, Thomas Girtin: The Art of Watercolour, exhibition catalogue, Tate Britain, London 2002, p.253 no.200, reproduced (colour).
2002
Luke Herrmann, ‘Thomas Girtin: The Art of Watercolour’, Turner Society News, no.92, December 2002, p.6.
Engraved:
By James Allen in 1834, published in 1835.
By James Allen in 1834, published in 1835.
In this watercolour, Turner portrays figures on the Great Terrace at the town of Saint-Germain-en-Laye, in the western suburbs of Paris, France. The huge terrace, stretching a mile and a half in length, was built in the seventeenth century for king Louis XIV by his gardener André Le Nôtre. As depicted here by Turner, it affords views over the valley of the River Seine and western Paris.1 The river meanders below to the left, crossed by a multi-arched bridge. In the far background at right, Turner indicates the aqueduct at the nearby town of Marly. The figures in the foreground, in bright and colourful clothes, looking out at the view, suggest leisure and enjoyment, yet Turner includes one figure in contrast, covered in a black cloak and turned away in the opposite direction.
There are related inscriptions on the verso (D40124).
Caroline South
November 2017
‘La Grande Terrace’, www.musee-archeologienationale.fr , accessed 17 October 2017, http://musee-archeologienationale.fr/chateau-et-jardins/les-espaces-remarquables/la-grande-terrasse .
How to cite
Caroline South, ‘St-Germain-en-Laye c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www