Joseph Mallord William Turner Narni from the East 1819
Joseph Mallord William Turner 1775–1851
Folio 58 Verso:
Narni from the East 1819
D14766
Turner Bequest CLXXVII 58 a
Turner Bequest CLXXVII 58 a
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘[?T...]’ bottom centre and ‘sand’ bottom right
Inscribed by the artist in pencil ‘[?T...]’ bottom centre and ‘sand’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.522, as ‘ “Narni” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp. 101, 469 note 143.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.34.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.44, 90 note 29.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150–1 note 29.
Following the Via Flaminia south-west from Terni, the next place of interest on the route to Rome is Narni, a small hilltop town approximately seven miles away. This sketch shows Turner’s first clear view of the skyline of the town from the east. Amidst the visible landmarks are the bell-towers of the Cathedral (Il Duomo) and the Church of San Domenico whilst the structure situated at a lower point beneath the town is the castle and Church of San Girolamo. On the far left-hand side, at the highest point stands the Rocca Albornoz, a fourteenth-century fortress built to defend the papacy’s control within Umbria. John Chetwode Eustace described the ‘romantic appearance’ of Narni in A Classical Tour Through Italy, first published 1813:
Its walls and towers spread along the uneven summit, sometimes concealed in groves or cypress, ilex and laurel, and sometimes emerging from the shade, and rising above their waving tops; delightful views of the vales, towns, rivers and mountains, opening here and there unexpectedly on the eye; a certain loneliness and silence, even in the streets; the consequence and sad memorial of ages of revolution, disaster, and suffering, are all features pleasing and impressive.1
In the top right-hand corner of the page is a separate sketch of the approach towards the Porta Ternana on the eastern side of the town. The view continues on the opposite sheet of the double-page spread, see folio 59 (D14767).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Narni from the East 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www