J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner Kongresni trg (Congress Square, or Kongressplatz) and the Castle, Ljubljana (Laibach) 1840

Joseph Mallord William Turner 1775–1851
Folio 47 Verso:
Kongresni trg (Congress Square, or Kongressplatz) and the Castle, Ljubljana (Laibach) 1840
D30091
Turner Bequest CCXCIX 47a
Pencil on cream wove paper, 127 x 198 mm
Partial watermark ‘J. Wha
 
Accepted by the nation as part of the Turner Bequest 1856
Cecilia Powell plausibly identified this drawing, made with the page turned horizontally, as a view of the Schlossberg at Graz;1 for numerous views of that city and its similar hilltop castle on adjacent pages, see under folio 41 verso (D30079).2 However, as the Slovenian art historian Jakob Klemenčič has shown,3 the scene here is Ljubljana, now the capital of Slovenia, then governed by Austria and generally known as Laibach (another common form being Lubiana, in Italian).
The view is east-south-east from outside the Ursuline Church of the Holy Trinity along Kongresni trg (Congress Square, or Kongressplatz in German), with trees in the park on the left. The castle stands high on the skyline at the centre, with the smaller Šance (Schanze) fortifications below to its right. The carefully rendered castle is the most detailed element of the drawing, with the middle distance comparatively loosely recorded; the larger of the gabled buildings at the bottom centre is the Baroque Theatre of the Carniolan Estates, destroyed by fire in 1887 and replaced by what is now the Slovene Philharmonic Hall.
The separate Baroque spire at the top left is likely that of the Teutonic Knights’ Church of Our Lady of Mercy, some way to the south-east; it was possibly then visible from the same point but now obscured by later developments.4 The main view is directly comparable with that in Georg Pajk’s coloured lithograph of about 1836.5
There is another view of the city and castle on folio 48 verso (D30093).

Matthew Imms
September 2018

1
See Powell 1995, p.240.
2
Ibid., pp.66, 81 note 22.
3
See Klemenčič 2018, pp.9, 10–11; see also the same author’s newspaper article of 12 January 2018, ‘So Ljubljančani sploh opazili največjega angleškega mojstra?', Delo, accessed 14 May 2018, http://www.delo.si/sobotna/so-ljubljancani-sploh-opazili-najvecjega-angleskega-mojstra.html.
4
As discussed ibid., p.11; fig.5 is a contemporary photograph of the church.
5
Ibid., fig.4 (colour).

How to cite

Matthew Imms, ‘Kongresni trg (Congress Square, or Kongressplatz) and the Castle, Ljubljana (Laibach) 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-kongresni-trg-congress-square-or-kongressplatz-and-the-r1196941, accessed 29 April 2025.