Joseph Mallord William Turner Dunstanburgh Castle from the South 1797
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Joseph Mallord William Turner,
Dunstanburgh Castle from the South
1797
Joseph Mallord William Turner 1775–1851
Folio 47 Recto:
Dunstanburgh Castle from the South 1797
D00952
Turner Bequest XXXIV 45
Turner Bequest XXXIV 45
Pencil on white wove paper, 210 x 270 mm
Blind-stamped with Turner Bequest monogram bottom centre
Inscribed by John Ruskin in red ink ‘45’ bottom left, descending vertically
Stamped in black ‘XXXIV 45’ bottom left, descending vertically
Blind-stamped with Turner Bequest monogram bottom centre
Inscribed by John Ruskin in red ink ‘45’ bottom left, descending vertically
Stamped in black ‘XXXIV 45’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (23).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.71, XXXIV 45, as ‘Dunstanborough Castle’.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.4 under no.6.
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.72, 191.
1996
Evelyn Joll, ‘Turner and Dunstanburgh, 1797–1834’, in Michael Lloyd, Andrew Wilton, Joll and others, Turner, exhibition catalogue, National Gallery of Australia, Canberra 1996, pp.37–8.
The subject is drawn with the page turned horizontally. This early fourteenth-century castle, dramatically sited on the brink of the Northumberland cliffs about eight miles north-east of Alnwick, was an obvious subject for the topographer of the Sublime, and Turner drew and painted it in several contexts. A painting based on this drawing was exhibited at the Royal Academy in 1798 (National Gallery of Victoria, Melbourne);1 preparatory work for it includes the monochrome composition study Tate D01113 (Turner Bequest XXXVI S), and a coloured study, Tate D00890 (Turner Bequest XXXIII S). There is a watercolour version of the subject (National Trust, Wallington Hall).2
Turner made a smaller oil painting, showing the castle from a slightly different viewpoint (Dunedin Public Art Gallery),3 and a finished watercolour of this composition also exists (Laing Art Gallery, Newcastle upon Tyne).4 The two viewpoints were combined in the Liber Studiorum design (see Tate D08118; Turner Bequest CXVI Q) and the watercolour for the England and Wales series (Manchester Art Gallery).5 A further treatment of Dunstanburgh from the south occurs in the painting of 1834, Wreckers, – coast of Northumberland, with a steam-boat assisting a ship off shore (Yale Center for British Art, New Haven).6
Verso:
Blank; stamped in brown ink with Turner Bequest monogram.
Andrew Wilton
January 2013
How to cite
Andrew Wilton, ‘Dunstanburgh Castle from the South 1797 by Joseph Mallord William Turner’, catalogue entry, January 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www