Joseph Mallord William Turner Dunblane Cathedral from the North 1834
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Joseph Mallord William Turner,
Dunblane Cathedral from the North
1834
Joseph Mallord William Turner 1775–1851
Folio 58 Recto:
Dunblane Cathedral from the North 1834
D26369
Turner Bequest CCLXIX 58
Turner Bequest CCLXIX 58
Pencil on off-white wove paper, 113 x 190 mm
Inscribed in blue ink by John Ruskin ‘58’ top right and ‘340’ bottom right
Stamped in black ‘CCLXIX 58’ bottom right
Inscribed in blue ink by John Ruskin ‘58’ top right and ‘340’ bottom right
Stamped in black ‘CCLXIX 58’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.866, CCLXIX 58, as ‘Ruined church.’.
1936
Henry J. Crawford, Turner’s Sketches and Drawings of Stirling and Neighbourhood with Some Notes on the Artist’s Scottish Tours also a Note on John Ruskin and Stirling, Stirling 1936, p.28.
1939
Henry J. Crawford, ‘Dunblane Cathedral as Seen by Turner, the Artist’, Society of Friends of Dunblane Cathedral, vol.3, part 2, 1939, pp.70–72 pl.6.
1990
Dr David Wallace-Hadrill and Janet Carolan, ‘Turner’s Sketches North of Stirling’, Turner Studies: His Art and Epoch 1775 – 1851, Vol.10 No.1, Summer 1990, p.12.
1990
Dr David Wallace-Hadrill and Janet Carolan, ‘Turner North of Stirling in 1831; a checklist (2)’, Turner Studies: His Art and Epoch 1775–1851, Vol.10 No.2, Winter 1990, p.28.
On this page are two views of Dunblane Cathedral as seen from the north. The main sketch which fills most of the page shows the building with its prominent bell tower just to the right of centre, with rooftops and trees in the foreground and hills in the distance. This sketch is likely to have been made from the top of Braeport, a street that runs north and up the hill from the castle.
Boxed-off at the bottom right of the page is another, more distant view from the north with the cathedral drawn in outline at the right. David Wallace-Hadrill and Janet Carolan have described how ‘Turner, having surrounded this sketch with a pencilled line, extended the containing rim to the left in order to push our [sic] further the hills on that side, providing a better balance with the tower at the other end of the picture.’1 They also noticed a similar concern for composition in the first sketch. ‘The interest of the sketch lies not in the [cathedral] building itself but in its relation to hills in the background and roofs and trees in the foreground.’2
There is another view of the cathedral from the north on folio 57 verso (D26368). Having made these sketches Turner made a series of views of the Cathedral from the Allan Water to the south, folios 58 verso; D26370, before heading west to Doune where he made a final view of the castle (folio 59; D26371). For more information see folio 57.
Thomas Ardill
October 2010
How to cite
Thomas Ardill, ‘Dunblane Cathedral from the North 1834 by Joseph Mallord William Turner’, catalogue entry, October 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www