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Artwork
Joseph Mallord William Turner Dudley from the South-East 1830
Image 1 of 2
Joseph Mallord William Turner,
Dudley from the South-East
1830
Joseph Mallord William Turner 1775–1851
Folio 64 Verso:
Dudley from the South-East 1830
D22096
Turner Bequest CCXXXVIII 62a
Turner Bequest CCXXXVIII 62a
Pencil on white wove paper, 120 x 203 mm
Partial watermark ‘nard | 20’
Partial watermark ‘nard | 20’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.731, CCXXXVIII 62a, as ‘Do. [i.e. ditto: ‘Ruined castle on hill, Dudley, Worc.’] Cf. Water colour, “England and Wales,” 1835’.
1979
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, p.156, as a Dudley subject.
1990
Frank Milner, J.M.W. Turner: Paintings in Merseyside Collections: Walker Art Gallery; Sudley Art Gallery; Williamson Art Gallery; Lady Lever Art Gallery; Liverpool University Art Gallery, Liverpool 1990, p.53 under no.26, as a Dudley subject.
Inverted relative to the sketchbook’s foliation, Dudley Castle is seen across open ground from the south-east, with the outline of the tower of St Edmund’s Church below it towards the left and the spire of St Thomas’s on the far left beyond a conical chimney. Modern developments make the viewpoint difficult to establish, but a sense of the view is possible from around Watsons Green Road and Wolverton Road on Kates Hill, overlooking Dudley’s Southern Bypass.
There are similar views on the recto (D22095), folio 65 recto opposite (D22097; Turner Bequest CCXXXVIII 63) and other adjacent pages. Finberg1 thought the present, rather compressed variation related in particular to the watercolour Dudley, Worcestershire of about 1832 (Lady Lever Art Gallery, Port Sunlight),2 engraved in 1835 for the Picturesque Views in England and Wales (Tate impressions: T05097, T06113, T06114), although the most detailed variation in the sequence, on folios 67 verso–68 recto (D22102, D22103; Turner Bequest CCXXXVIII 65a, 66) was perhaps the most fruitful source for the background, albeit with the rural foreground replaced by canalside industries.
For other views of Dudley see under folio 23 recto (D22016).
Matthew Imms
August 2013
How to cite
Matthew Imms, ‘Dudley from the South-East 1830 by Joseph Mallord William Turner’, catalogue entry, August 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www