J.M.W. Turner
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1787-1801 Student and master
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Wales 1798
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Hereford Court Sketchbook
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Artwork
Joseph Mallord William Turner Dinas Brân and Llangollen from the River Dee 1798
Joseph Mallord William Turner 1775–1851
Folio 89 Recto:
Dinas Brân and Llangollen from the River Dee 1798
D01311
Turner Bequest XXXVIII 57
Turner Bequest XXXVIII 57
Pencil on white wove paper, 229 x 332 mm
Blind-stamped with Turner Bequest monogram bottom centre
Inscribed by John Ruskin in red ink ‘57’ bottom left, descending vertically
Stamped in black ‘XXXVIII 57’ bottom left, descending vertically
Blind-stamped with Turner Bequest monogram bottom centre
Inscribed by John Ruskin in red ink ‘57’ bottom left, descending vertically
Stamped in black ‘XXXVIII 57’ bottom left, descending vertically
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.87, XXXVIII 57 (as ‘Llangollen Bridge in mid-distance.’ c.1798).
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.402.
1979
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, p.155.
Eric Shanes cites this drawing1 as the basis for Turner’s Picturesque Views in England and Wales watercolour design (private collection),2 engraved in 1837 (Tate impression: T04609); but although some salient features of the watercolour are present here, many of the details differ considerably. For instance, the parish church at Llangollen, which is visible at the far right here, appears above the viaduct in the centre of the finished composition. Further, the watercolour shows the new viaduct across the Dee, while this drawing records the old bridge and buildings near it which are not present in the finished work (and had actually been demolished by the 1830s). Another drawing including the old bridge is on folio 92 recto (D01313; Turner Bequest XXXVIII 59). The steep hill to the left of centre in the watercolour is entirely absent from the drawing, and introduces a distance between town and spectator that suggests a wholly imaginary viewpoint.
The coloured study on the next page, folio 90 recto (D01350; Turner Bequest XXXVIII 96), seems to record the view from a position only a few feet farther along the river bank, showing, for instance, Dinas Brân rising behind the same hill as appears in the left foreground of the present drawing. See also folio 91 recto (D01312; Turner Bequest XXXVIII 58). Turner had visited Llangollen on his Midland tour of 1794 and may have used notes made then, although the only surviving drawing made on the spot at that time is the partial study of Llangollen Bridge (Tate D00333; Turner Bequest XXI G); see also the finished watercolour made immediately after that tour (Tate D00861; Turner Bequest XXXII E).
Verso:
Blank; grey paint smears; stamped in brown ink with Turner Bequest monogram.
Andrew Wilton
May 2013
How to cite
Andrew Wilton, ‘Dinas Brân and Llangollen from the River Dee 1798 by Joseph Mallord William Turner’, catalogue entry, May 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www