Joseph Mallord William Turner Dinant, on the Meuse, from the South c.1839
Joseph Mallord William Turner 1775–1851
Dinant, on the Meuse, from the South c.1839
D24724
Turner Bequest CCLIX 159
Turner Bequest CCLIX 159
Gouache and watercolour on blue wove paper, 139 x 192 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX –159’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX –159’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (427c, as ‘Four French Subjects’).
1970
Turner: Watercolours Lent by the British Museum, Musée Provisoire d’Art Moderne, Brussels, November 1970–January 1971 (65).
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (376, as A Bridge over a River under a High Cliff).
1975
Turner 1775–1851: zhivopis’, risunok, akvarel’, Hermitage Museum, Leningrad, October–November 1975, Pushkin Museum, Moscow, December 1975–January 1976 (44).
1978
¿¿¿¿¿¿, Shipka Gallery, Sofia, Bulgaria, ?April–May 1978, Belgrade, Serbia [former Yugoslavia], May 1978, Muzeul de Arte al RS [Republica Socialista] Romania, Bucharest, June–July 1978 43).
1981
J.M.W. Turner (1775–1851) / ¿¿.¿.G. ¿e¿¿e¿ (1775–1851), National Pinakothiki, Athens, January–March 1981 (41, reproduced in colour [p.120] as A bridge over a river under a high cliff).
1983
J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, Galeries nationales du Grand Palais, Paris, October 1983–January 1984 (174, reproduced).
1991
Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, Tate Gallery, London, September 1991–January 1992, Musée Communal d’Ixelles, Brussels, February–April 1992 (101, reproduced).
1995
Sketching the Sky: Watercolours from the Turner Bequest, Tate Gallery, London, September 1995–February 1996.
2007
Hockney on Turner Watercolours, Tate Britain, London, June 2007–February 2008.
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.289, 629 no.427c, as ‘Four French Subjects’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.798, as ‘On the Meuse (?)’.
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, p.163 no.101.
1995
Sketching the Sky: Watercolours from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.10.
Rendered in an arresting spectrum of colour, this view of Dinant in Belgium is one of the most evocative and impressionistic of Turner’s 1839 gouaches. The light is iridescent, shifting between hues of lemon yellow, blued yellow, and rose pink.
Dinant’s arched bridge stands at centre, connecting the two banks of the Meuse. The structure appears almost spectral, rendered with watercolour wash on wetted paper. The fluid pigment used to draw the piers of the bridge has migrated slightly, bleeding and feathering, in a manner which evokes the optical phenomenon of a mirage.
The hillsides flanking the Meuse are rendered with more opaque pigment: violet, rust-brown gouache streaked with red in the foreground. The citadel, which dates from 1530 and was rebuilt in 1821 during the Dutch occupation, can be seen crowning the vertiginous cliff at the right in gloomy silhouette. The Rocher Bayard, a forty-metre monolith, is beneath it.
Turner sketched extensively at Dinant, recording its monuments from various perspectives. From the numerous pencil sketches in the Spa, Dinant, and Namur sketchbook of c.1839 (Tate D28042, D28094, D28122, D28125, D28142, D28147, D28153, D28155–D28158, D28160–D28166, D41091; Turner Bequest CCLXXXVII 1, 27a, 42a, 44a, 53, 56a, 59a, 60a–62a, 63a–66a), the artist produced six impressive gouache drawings (those belonging to Tate are: Tate D20227–D20229; Turner Bequest CCXX T, U, V).1
Verso:
There are very faint markings in chalk at the bottom of the page which appear to be rough sketches of two small boats, inverted. The verso is also inscribed in pencil ‘CCLIX 159’ at bottom right.
Alice Rylance-Watson
June 2013
How to cite
Alice Rylance-Watson, ‘Dinant, on the Meuse, from the South c.1839 by Joseph Mallord William Turner’, catalogue entry, June 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www