Joseph Mallord William Turner Bridges of St-Cloud and Sèvres c.1833
Joseph Mallord William Turner 1775–1851
Bridges of St-Cloud and Sèvres c.1833
D24688
Turner Bequest CCLIX 123
Turner Bequest CCLIX 123
Gouache and watercolour on blue paper, 141 x 193 mm
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 123’ bottom right
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 123’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (147, as ‘Bridges of St. Cloud and Sèvres’).
1936
[Display of Watercolours], National Gallery, London, November 1936–September 1939 (frame 15).
1965
[Display of watercolours from the Turner Bequest], Tate Gallery, London, ? – [?]March 1965.
1970
Turner: Watercolours Lent by the British Museum, Musée Provisoire d’Art Moderne, Brussels, November 1970–January 1971 (59).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (136).
1989
Colour into Line: Turner and the Art of Engraving, Tate Gallery, London, October 1989–January 1990 (25).
1995
Peindre le ciel: De Turner à Monet, Musée-Promenade, Marly-le-Roi / Louvecienes, April–July 1995 (3).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (142).
References
1834
Spectator, 6 December 1834, p.1167.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 614 no.147, as ‘Bridges of St. Cloud and Sèvres’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.796, CCLIX 123, as ‘Bridges of St. Cloud and Sèvres’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.273 under no.482.
1970
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, p.21 no.59.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.415 no.980 reproduced as ‘Bridges at St. Cloud and Sèvres c.1832’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.136, p.446, fig.911.
1989
Anne Lyles and Diane Perkins, Colour into Line: Turner and the Art of Engraving, exhibition catalogue, Tate Gallery, London 1989, reproduced in colour p.19, pp.40–1 no.25, 41 under no.26.
1995
Christine Kayser, David Brown, Richard Hearn and others, Peindre le ciel: De Turner à Monet, exhibition catalogue, Musée-Promenade, Marly-le-Roi / Louvecienes 1995, pp.17 fig.3, 24.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.69, 70, 224, 257 note 28, 277 no.142, fig.220 (colour).
Engraved:
By J. Radclyffe in 1834, published in 1835.
By J. Radclyffe in 1834, published in 1835.
In this watercolour, Turner presents a view over a meander of the River Seine, crossed by the multi-arched bridges of Saint-Cloud and of Sèvres, towns in the western suburbs of Paris, France. With simple touches of watercolour and gouache he evokes the river sweeping through the landscape, spanned by the bridge of Saint-Cloud in the left mid-ground, and that of Sèvres in the distance at right, before curving around away across the land into the far distance at left. In the foreground, figures with baskets for picking fruit sit and stand. At far right, one is shown climbing steps, basket on his back. Turner infuses the image with warm light. A soft yellow light falls diagonally from the top right corner, over the river immediately below, and in warm russet tones picks out the edge of the tree right of centre and the hillside below it, before illuminating the vineyard in the left foreground with touches of gold.
There are related inscriptions on the verso (D40125).
Caroline South
November 2017
How to cite
Caroline South, ‘Bridges of St-Cloud and Sèvres c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www