Joseph Mallord William Turner Boscastle Harbour 1811
Image 1 of 2
Joseph Mallord William Turner,
Boscastle Harbour
1811
Joseph Mallord William Turner 1775–1851
Folio 185 Recto:
Boscastle Harbour 1811
D08705
Turner Bequest CXXIII 182
Turner Bequest CXXIII 182
Pencil on white wove writing paper, 75 x 117 mm
Inscribed by John Ruskin in red ink ‘182’ top left, ascending vertically
Stamped in black ‘CXXIII – 182’ top right, ascending vertically
Inscribed by John Ruskin in red ink ‘182’ top left, ascending vertically
Stamped in black ‘CXXIII – 182’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.351, CXXIII 182, as ‘Boscastle, N. Cornwall’.
1910
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, pp.99, 100, 102.
1968
Luke Herrmann, Ruskin and Turner: A Study of Ruskin as a Collector of Turner, Based on his Gifts to the University of Oxford; Incorporating a Catalogue Raisonné of the Turner Drawings in the Ashmolean Museum, London 1968, p.68 under no.25.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.354 under no.478.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.152.
2000
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.101 under no.27.
Finberg noted this sketch as the basis for the watercolour Boscastle, Cornwall of about 1824 (Ashmolean Museum, Oxford),1 engraved in 1825 for the Picturesque Views on the Southern Coast of England2 (see the concordance of the series in the 1811 tour introduction). He analysed the similarities and also the differences between the slight sketch and the finished design, ‘recreated from the stores of the artist’s knowledge’.3
The viewpoint is the north bank of the River Valency, which enters the sea at Penally Point beyond the headland on the right known as Profile Rock. Boscastle’s short stone pier is on the opposite side to the lower left; the building beyond does not survive. Unusually, Turner has made two attempts at the outline of the headland and tower in the distance on the left, adopting the lower version for the blustery watercolour, where figures are added above the pier controlling an incoming sailing boat among choppy waves by the use of long ropes.4
Technical notes:
The leaf appears to have been taken out of the book and reattached to a new stub, although there is no record of early exhibition or display.
Verso:
Blank
Matthew Imms
June 2011
How to cite
Matthew Imms, ‘Boscastle Harbour 1811 by Joseph Mallord William Turner’, catalogue entry, June 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www