Joseph Mallord William Turner Bologna from near the Montagnola Gardens 1819
Joseph Mallord William Turner 1775–1851
Folio 34 Recto:
Bologna from near the Montagnola Gardens 1819
D14548
Turner Bequest CLXXVI 30
Turner Bequest CLXXVI 30
Pencil on white wove paper, 111 x 184 mm
Inscribed by Turner in pencil ‘S Jacomo’ towards top left
Partial watermark ‘Allnutt | 18’
Inscribed by John Ruskin in red ink ‘30’ bottom right (now faint)
Stamped in black ‘CLXXVI – 30’ bottom right
Inscribed by Turner in pencil ‘S Jacomo’ towards top left
Partial watermark ‘Allnutt | 18’
Inscribed by John Ruskin in red ink ‘30’ bottom right (now faint)
Stamped in black ‘CLXXVI – 30’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.517, CLXXVI 30, as ‘Do. do [i.e. ‘View of Bologna, with the Towers of Asinelli, &c.’]’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 466 note 110.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.25, 202 note 46.
2008
James Hamilton, ‘Turner e l’Italia’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.43, 90 note 22, as a Bologna subject.
2009
James Hamilton, ‘Turner’s Route to Rome’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150 note 22, as a Bologna subject.
Although the treatment here is more detailed than on folio 33 verso opposite (D14547; Turner Bequest CLXXVI 29a), the two pages appear to form a panorama. The foreground is not presented in detail, making the exact viewpoint difficult to establish, especially in the light of subsequent development, but it appears to have been a little east of that adopted at the Montagnola Gardens for folio 33 recto (D14546; Turner Bequest CLXXVI 29), and more in alignment with the present Via Capo di Luca.
On the left Turner notes ‘S Jacomo’ above the campanile of San Giacomo Maggiore. To its right are the dome and campanile of Santi Bartolomeo e Gaetano, with the leaning Torre Garisenda below the taller Torre Asinelli. To their right, at about half the distance, is the campanile of San Martino Maggiore. Then comes the dome of the Sanctuary of Santa Maria della Vita, with a lightly drawn cluster of towers on the right: the Torre Azzoguidi (or Altabella) behind the Torre Prendiparte, the crenellated tower of the Palazzo del Podestà, and the campanile spire of the Cathedral of Sanpietro. Towards the foreground at the bottom centre may be a watermill.
On the left Turner notes ‘S Jacomo’ above the campanile of San Giacomo Maggiore. To its right are the dome and campanile of Santi Bartolomeo e Gaetano, with the leaning Torre Garisenda below the taller Torre Asinelli. To their right, at about half the distance, is the campanile of San Martino Maggiore. Then comes the dome of the Sanctuary of Santa Maria della Vita, with a lightly drawn cluster of towers on the right: the Torre Azzoguidi (or Altabella) behind the Torre Prendiparte, the crenellated tower of the Palazzo del Podestà, and the campanile spire of the Cathedral of Sanpietro. Towards the foreground at the bottom centre may be a watermill.
The Turner scholar C.F. Bell bracketed the two pages and annotated Finberg’s 1909 Inventory entry (‘View of Bologna, with the Towers of Asinelli, &c.’) as a ‘Panorama from S. Michele in Bosco’,1 but the church and monastery complex he notes is on the south side of the city.
For Cecilia Powell’s general comments on Turner’s views of Bologna from a distance here and around the Sanctuary of the Madonna di San Luca (folios 32 verso–39 recto; D14545–D14558; Turner Bequest CLXXVI 28a–35), see under D14545;2 for general remarks on the city and numerous views on adjacent pages, see under folio 24 recto (D14532).
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘Bologna from near the Montagnola Gardens 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www