Joseph Mallord William Turner Bernkastel, Kues and the Landshut; Fishing Boats 1824
Joseph Mallord William Turner 1775–1851
Folio 105 Verso:
Bernkastel, Kues and the Landshut; Fishing Boats 1824
D19757
Turner Bequest CCXVI 104 a
Turner Bequest CCXVI 104 a
Pencil on white wove paper, 118 x 78 mm
Inscribed in pencil by Turner ‘Dusemon Lock’ | ‘W’ top left; ‘Mul’ ‘E’ top right
Inscribed in pencil by Turner ‘Dusemon Lock’ | ‘W’ top left; ‘Mul’ ‘E’ top right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.673, as ‘Views on Moselle. “Dusemont”’, “Mul”, “E”.
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, p.43 note 27 [p.60].
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.32 note 12 [p.77]; 108 no.23.
The travel writer Bartholomew Stritch describes Bernkastel as an ‘old irregular, dirty but bustling town’, which, nonetheless, looked attractive ‘from the river’ given its situation ‘at the foot of a lofty hill’ (the Hunsrück mountain range).1 From atop this sheer range the ruins of the Burg Landshut overlook Bernkastel, as well as its neighbour, Kues, located on the other side of the Moselle. On this page Turner records the crumbling vestiges of this feudal fortress’s keep, which dates back to 1277.2 At rear the artist has also sketched the spire of Bernkastel’s principal church, dedicated to St Michael. The same steeple captured the attention of author Michael-Joseph Quin on his tour of the Moselle in 1843: it is ‘tall and graceful’, he writes, ‘rising to an almost imperceptible point. Eight small towers, besides, decorate the edifice, which is erected in the pointed style’.3
Other small and swiftly rendered views of both towns are jotted in and amongst sketches of the castle and of local fishing boats; these and a number of other preparatory drawings contributed to a highly finished watercolour drawing of Bernkastel on the Mosel, dated around 1830 (see also Tate D19758–D19760, D20176–D20182; Turner Bequest CCXVI 105–106, CCXIX 15–21).4 The tiny sketches at top left and right show ‘Dusemont’ and Mülheim (see Tate D19756; Turner Bequest CCXVI 104). Turner has inscribed ‘Lock’ next to ‘Dusemont’; though no such device is shown in the picture, the inscription may indicate that this stretch of the Moselle waterway was made navigable by a lock.
Alice Rylance-Watson
April 2014
Bartholomew Stritch, The Meuse, the Moselle, and the Rhine; or, A six weeks’ tour through the finest river scenery in Europe, by B.S., London 1845, p.49.
‘Ruins of Landshut Castle’, Ferienland Bernkastel-Kues, accessed 30 April 2014, http://en.bernkastel.de/holiday-region/bernkastel-kues/what-to-see/ruins-of-landshut-castle-burg-landshut-express-landshut-castle-express.html
Michael Joseph Quin, Steam Voyages on the Seine, the Moselle, & the Rhine, etc., London 1843, p.321.
How to cite
Alice Rylance-Watson, ‘Bernkastel, Kues and the Landshut; Fishing Boats 1824 by Joseph Mallord William Turner’, catalogue entry, April 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www