J.M.W. Turner
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1836-47 Modern painter
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Bamborough Castle c.1837
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Artwork
Joseph Mallord William Turner Bamburgh Castle, Northumberland c.1837
Joseph Mallord William Turner 1775–1851
Bamburgh Castle, Northumberland c.1837
D25506
Turner Bequest CCLXIII 382
Turner Bequest CCLXIII 382
Watercolour on white wove paper, 546 x 752 mm
Watermark ‘J Whatman | Turkey Mill | 1825’
Inscribed by Turner in pencil ‘[... ?Wreck]’ (see main catalogue entry) bottom right
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed in red ink ‘cclxiii. | 382’ bottom right
Stamped in black ‘CCLXIII 382’ bottom right
Watermark ‘J Whatman | Turkey Mill | 1825’
Inscribed by Turner in pencil ‘[... ?Wreck]’ (see main catalogue entry) bottom right
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed in red ink ‘cclxiii. | 382’ bottom right
Stamped in black ‘CCLXIII 382’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1931
Display of Watercolours from the Turner Bequest, lent from the British Museum, National Gallery, Millbank (Tate Gallery), London 1931–March 1934 (no catalogue).
1989
Summer Miscellany: Watercolours from the Turner Bequest, Tate Gallery, London, July–September 1989 (no catalogue).
1996
Turner in the North of England, 1797, Tate Gallery, London, October 1996–February 1997, Harewood House, Leeds, March–June 1997 (exhibited at Harewood only, as ‘Bamburgh Castle, Northumberland; preparatory study’).
2007
Hockney on Turner Watercolours, Tate Britain, London, June 2007–February 2008 (no number, reproduced in colour).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.844, CCLXIII 382, as ‘Study for picture of “Bamborough Castle (?).”’.
1993
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, p.304 under no.65, as a ‘Bamborough’ subject.
1994
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, p.200 under no.65.
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.78, 188, 191, pl.113 (colour, as ‘Colour-beginning, Bamburgh Castle from the north. c.1837’).
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, p.93 Appendix I under ‘Bamburgh Castle’ as c.1830.
2007
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, p.104, reproduced in colour, as ‘Bamburgh Castle, Northumberland: Preparatory Study’. c.1837’.
2008
J.R. Piggott, ‘Salerooms Report’, Turner Society News, no.110, December 2008, p.17.
As discussed in the introduction to the present section, this is one of four identified ‘colour beginnings’ for a large watercolour of Bamborough Castle (private collection)1 exhibited at the Graphic Society, London, in 1837; the others are Tate D25456, D25457 and D36321 (Turner Bequest CCLXIII 333, 334, CCCLXV 30).2
In terms of the main lines of the composition, this is similar to the other studies, but while their skies are filled with dark clouds with the castle glowing brightly against them, here the tonalities are reversed, with the castle silhouetted against a bright, almost clear sky.
Turner’s scrawled pencil inscription of perhaps six or seven words at the bottom right is effectively illegible, although the last word may be ‘Wreck’, which could relate to the finished subject. Finberg gave the title as ‘Study for picture of “Bamborough Castle (?).”’; his double quotation marks imply a transcription, though none of the other words are now easily interpreted as those indicated.
Technical notes:
There is a faint, intermittent, darkened vertical line through the watercolour 90 mm in from the left-hand edge, catching the edge of a slight vertical fold indented from the verso. A rougher vertical fold runs down the centre, just to the left of the castle.
Verso:
Blank; stamped in black with Turner Bequest monogram over ‘CCLXIII 382’ bottom right.
Matthew Imms
November 2012
How to cite
Matthew Imms, ‘Bamburgh Castle, Northumberland c.1837 by Joseph Mallord William Turner’, catalogue entry, November 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www