J.M.W. Turner
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1836-47 Modern painter
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Bamborough Castle c.1837
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Artwork
Joseph Mallord William Turner Bamburgh Castle, Northumberland c.1837
Joseph Mallord William Turner 1775–1851
Bamburgh Castle, Northumberland c.1837
D25457
Turner Bequest CCLXIII 334
Turner Bequest CCLXIII 334
Watercolour on white wove paper, 487 x 612 mm
Watermark ‘C Ansell | 1828’
Stamped in black ‘CCLXIII – 334’ bottom right
Watermark ‘C Ansell | 1828’
Stamped in black ‘CCLXIII – 334’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (207, reproduced, as ‘Stormy sky over the sea’).
1995
Sketching the Sky: Watercolours from the Turner Bequest, Tate Gallery, London, September 1995–February 1996 (no number, as ‘Bamborough Castle: Preparatory Study, c.1833–5’).
1996
Turner in the North of England, 1797, Tate Gallery, London, October 1996–February 1997, Harewood House, Leeds, March–June 1997 exhibited at Harewood only, as ‘Bamburgh Castle, Northumberland; preparatory study’).
2002
Turner: Reflections of Sea and Light: Paintings and Watercolors by J.M.W. Turner from Tate, Baltimore Museum of Art, February–May 2002 (no catalogue).
2002
Turner y el mar: Acuarelas de la Tate, Fundación Juan March, Madrid, September 2002–January 2003 (52, reproduced in colour).
2003
O mar e a luz: Aguarelas de Turner na colecção da Tate, Museu Calouste Gulbenkian, Lisbon, February–May 2003 (55, reproduced in colour).
2008
¿¿¿¿¿¿ [Turner] (1775–1851), Pushkin Museum of Art, Moscow, November 2008–February 2009 (66, reproduced in colour).
2009
Turner from the Tate Collection, National Art Museum of China, Beijing, April–July 2009 (66, reproduced in colour).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.840, CCLXIII 334, as ‘Stormy evening on coast’.
1993
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, p.304 under no.65, as a ‘Bamborough’ subject.
1994
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, p.200 under no.65.
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.78, 188, 191, pl.112 (colour as ‘Colour-beginning, Bamburgh Castle from the north. c.1837’).
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, p.93 Appendix I under ‘Bamburgh Castle’ as c.1830.
2002
Ian Warrell, José Jiménez, Nicola Moorby and others, Turner y el mar: Acuarelas de la Tate, exhibition catalogue, Fundación Juan March, Madrid 2002, p.100 no.52, reproduced in colour.
2003
Ian Warrell, Nicola Moorby, Sarah Taft and others, O mar e a luz: Aguarelas de Turner na colecção da Tate, exhibition catalogue, Museu Calouste Gulbenkian, Lisbon 2003, p.103 no.55, reproduced in colour.
2008
J.R. Piggott, ‘Salerooms Report’, Turner Society News, no.110, December 2008, p.17.
As discussed in the introduction to the present section, this is one of four identified ‘colour beginnings’ for a large watercolour of Bamborough Castle (private collection)1 exhibited at the Graphic Society, London, in 1837; the others are Tate D25456, D25506 and D36321 (Turner Bequest CCLXIII 333, 382, CCCLXV 30).2
The present study concentrates on the storm clouds above the coast on the left, counterbalanced by the castle, a glowing blank to the right. There is no sign of the boat struggling in the waves, the rocky beach in the right foreground or the figures introduced into the finished design.
Technical notes:
The area corresponding to the castle has been left blank or washed clean. There has been some lifting of the dark washes forming the clouds above the centre.
Verso:
Blank; stamped in black ‘CCLXIII – 334’ above Turner Bequest monogram towards bottom left; inscribed in pencil ‘CCLXIII, 334’ bottom right.
Matthew Imms
November 2012
How to cite
Matthew Imms, ‘Bamburgh Castle, Northumberland c.1837 by Joseph Mallord William Turner’, catalogue entry, November 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www