Joseph Mallord William Turner Arch of Titus, Rome, with the Colosseum Beyond 1819
Joseph Mallord William Turner 1775–1851
Arch of Titus, Rome, with the Colosseum Beyond 1819
D16372
Turner Bequest CLXXXIX 44
Turner Bequest CLXXXIX 44
Pencil and grey watercolour wash on white wove ‘Whatman’ paper, 229 x 369 mm
Inscribed by an unknown hand in blue ink ‘44’ bottom right
Stamped in black ‘CLXXXIX 44’ bottom right
Inscribed by an unknown hand in blue ink ‘44’ bottom right
Stamped in black ‘CLXXXIX 44’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (221, as ‘Rome: the Arch of Titus, with the Colosseum beyond’).
References
1905
E.T. Cook, Hidden Treasures of the National Gallery. A Selection of Studies and Drawings by J.M.W. Turner, R.A. Now Published for the First Time. With Some Account of Them. With a Sketch of Turner’s Life, and Reproductions of a Number of his Finished Works, London 1905, p.10, reproduced p.52 (as ‘The Ruins of Rome: The Arch of Titus prior to 1820, and the Colosseum in the background’).
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.563, as ‘Arch of Titus, with Colosseum beyond.’.
1964
Michael Kitson, J.M.W. Turner, London 1964, p.81, reproduced p.50, as ‘Rome: The Arch of Titus’.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, no.221, p.88, as ‘Rome: the Arch of Titus, with the Colosseum beyond’.
2008
Nicola Moorby, ‘Un tesoro italiano: i taccuini di Turner’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.102, 105 note 30.
2009
Nicola Moorby, ‘An Italian Treasury: Turner’s sketchbooks’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.115, 155 note 31.
The subject of this sketch is a view of the western façade of the Arch of Titus taken from the Via Sacra looking towards the Colosseum. Turner’s back would have been towards the Roman Forum and visible on the left-hand side is the church and bell-tower of Santa Francesca Romana. Like many drawings within this sketchbook, the composition has been executed over a washed grey background. Turner has made effective use of tonal contrast with dark areas of cross hatched pencil and pale highlights created by scratching through to the white paper beneath.
Turner made a large number of studies of the Arch of Titus, a triumphal monument erected to commemorate the sack of Jerusalem by the Emperor Titus in the first century AD. During the early nineteenth century the integrity of the structure was disrupted by the remains of medieval stone walls and unsightly accumulations of rubble abutting the sides. These were cleared in the early 1820s by Giuseppe Valadier (1762–1839) who restored the Arch to something approaching its original (and present) appearance. This sketch reflects the appearance of the Arch prior to its restoration although Turner seems to have reduced the size of the accretions on the left in order to display more of the exterior of the Colosseum. Drawings depicting the eastern façade can be found on another sheet from this sketchbook (see Tate D16370; Turner Bequest CLXXXIX 43) and in the Small Roman C. Studies sketchbook (Tate D16395; Turner Bequest CXC 1). Finally sketches of the sculptural panels from the interior can be found in the St Peter’s sketchbook (see Tate D16191–D16192; Turner Bequest CLXXXVIII 18a–9).
Verso:
?Blank (pasted to mount).
Nicola Moorby
July 2009
How to cite
Nicola Moorby, ‘Arch of Titus, Rome, with the Colosseum Beyond 1819 by Joseph Mallord William Turner’, catalogue entry, July 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www