Joseph Mallord William Turner Amalfi 1819
Joseph Mallord William Turner 1775–1851
Folio 46 Recto:
Amalfi 1819
D15821
Turner Bequest CLXXXV 46
Turner Bequest CLXXXV 46
Pencil on white wove paper, 113 x 189 mm
Inscribed by ?John Ruskin in blue ink ‘278’ bottom right and ‘46’ top right
Stamped in black ‘CLXXXV 46’ bottom right
Stamped in black ‘CLXXXV 46’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.548, as ‘Amalfi (?)’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.491 note 32.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.79 note 25.
One of the most attractive locations on the Amalfi coast is Amalfi itself, with its fishing port and densely built town tucked in a valley between steep mountains and the sea. The viewpoint for this sketch is the road which follows the line of the coast and enters Amalfi from the east above the beach. In the centre near the waterfront is the Church of San Benedetto (with the pointed tower), whilst behind this is the Romanesque campanile of the Cathedral (Duomo di Sant’Andrea). On the slopes above the town is the Torre (Tower) di Poggerola. A small part of the composition spills over onto the opposite sheet of the double-page spread, see folio 46 (D15821).
Despite its picturesque qualities Turner made relatively few sketches of Amalfi, although alternative views can be seen on folios 34 verso, 52 verso–55 (D15802, D15834–D15839), and there are a number of studies of nearby Atrani, see folio 35 (D15803). The composition of this sketch is very similar to the vista after John ‘Warwick’ Smith (1749–1831) which Turner copied into the Italian Guide Book sketchbook (Tate D13971; Turner Bequest CLXXII 21a). It is also comparable to a later pair of views dating from the 1840s by John Ruskin (1819–1900).1
Nicola Moorby
October 2010
How to cite
Nicola Moorby, ‘Amalfi 1819 by Joseph Mallord William Turner’, catalogue entry, October 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www