You might like Left Right Copy after Richard Wilson: The Temple of Clitumnus Joseph Mallord William Turner 1796–7 Copy after Richard Wilson: ‘The Convent on the Rock’ Joseph Mallord William Turner 1796–7 Copy of Nicolas Poussin’s ‘Landscape with a Man Killed by a Snake’ Joseph Mallord William Turner 1799 Copy of François Vivares’s Engraving after Gaspard Dughet’s ‘Landscape with Horseman’ Joseph Mallord William Turner c.1800–1 Commentary on Nicolas Poussin’s ‘Landscape with Diogenes’ (Inscription by Turner) Joseph Mallord William Turner 1802 Commentary on Nicolas Poussin’s ‘Orpheus and Eurydice’ (Inscription by Turner) Joseph Mallord William Turner 1802 Commentary on Nicolas Poussin’s ‘Gathering of the Manna’ (Inscription by Turner) Joseph Mallord William Turner 1802 Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner) Joseph Mallord William Turner 1802 Commentary on Nicolas Poussin’s ‘Deluge’ (Inscription by Turner) Joseph Mallord William Turner 1802 Detail of Architecture, from Nicolas Poussin’s ‘Eleazer and Rebecca at the Well’, and Colour Key (Inscriptions by Turner) Joseph Mallord William Turner 1802 Colour Keys of Nicolas Poussin’s ‘Landscape with Diogenes’ and ‘St John Baptising the People’ (Inscriptions by Turner) Joseph Mallord William Turner 1802 Colour Keys of Nicolas Poussin’s ‘Judgement of Solomon’ and ‘Deluge’ (Inscriptions by Turner) Joseph Mallord William Turner 1802
