‘Remodelling Photo History: Colonization‘, Jo Spence, with Terry Dennett, 1981–2 | Tate

Artwork

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The Labours I
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Labours II
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Labours III
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Labours IV
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Labours V
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Labours VI
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Labours VII
Helen Chadwick
1983–4

On display at Tate Modern part of Level 4: ARTIST ROOMS: Helen Chadwick
The Highest Product of Capitalism (after John Heartfield)
Jo Spence, with Terry Dennett
1979
Remodelling Photo History: Revisualization
Jo Spence, with Terry Dennett
1981–2
Remodelling Photo History: Realization
Jo Spence, with Terry Dennett
1981–2
Crisis Project / Picture of Health? (Property of Jo Spence?)
Jo Spence, with Terry Dennett
1982
Libido Uprising Part I and Part II
Jo Spence
1989

On display at Tate Modern part of Performer and Participant