Issue 3 / Spring 2005
Content:
- Editors' Note
- Claire Bishop on Installation Art
- Clément Chéroux on August Strindberg
- Per Kirkeby on August Strindberg
- Anthony Caro talks to Norman Foster
- Charles Ray and Michael Fried on Anthony Caro
- Richard Wentworth on David Smith
- David Toop on Noise
- Francesco Bonami on Joseph Beuys
- Rebecca Horn's poem for Joseph Beuys
- Matt Watkins talks to Thomas Demand
- Vincent Pécoil on Salvador Dalí
- Diedrich Diederichsen on Salvador Dalí
- Jeff Koons on Salvador Dalí
- John House and Patrick Keiller on Turner Whistler Monet
- MicroTate
- Paul Farley in the Tate Archive
A poem by Rebecca Horn
Context:
Works by Joseph Beuys in the Tate Collection.What can the matter be?: 'Joseph Beuys - The Sound of Materials', podcast, Tate Modern, 2006'Joseph Beuys' at Tate Modern 4 February - 2 May 2005Für Joseph Beuys
Tag seines Todes –
Von Rebecca Horn
Als Gegebenheit
die ewige Wunde
sie schützen bedecken sie isolieren
den Tropfenfluß in einem selbstgewählten Pumpsystem bewahren
daraus die Energie gewinnen
sie leiten
die bläulich gewonnene Materie
in einen Kreislauf binden
und ihm in einem gegenläufigen Konzert
zum Tanz des Sternenregens folgen
For Joseph Beuys
The Day of his Death –
By Rebecca Horn
As a fact
the eternal wound
protecting covering isolating
collecting the drip flow in his chosen pump system
extracting the energy out of it
conducting
the bluely extracted matter
connecting into a circulation
following him into a concert in reverse
to the dance of showering stars