Issue 17 / Autumn 2009
Content:
- Michael Diers on Trompe l'œil
- Steven Henry Madoff on Pop Life
- Bob Colacello on Andy Warhol
- Fuyuko Matsui studio visit
- Michael Bracewell on Magic and Modernity in British Art
- Brian Dillon on Miroslaw Balka
- Jessica Morgan on John Baldessari
- Skylar Haskard, Rita McBride, Frederic Tuten and Meg Cranston on John Baldessari
- Nicole Brenez on Harun Farocki
- Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright on the Turner Prize
- James Hall on Turner and the Masters
- Michael Landy and Jean Tinguely
- Tim Etchells, Sally O'Reilly, Mark Leckey and Martin Bax reflect on a work in the Tate Collection
- Jacob Polley in the Tate archive
- Poem of the Month

James Ward
Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale) 1812 - 1814
Oil on canvas
Gordale Scar
It is not true that the gaze travels outwards,
over the heraldic beasts, between the limestone
hulks, skimming the stream where the last
surviving glints of light twinkle, onward
into the numb dark where minds are not welcome.
It is the scar itself and John Bull’s eye
that funnel into you, breach the iris,
pummel the retina, flume through the optic nerve
to ambush the cortex, seize synapses to find –
the flags packed up, the fortress long deserted.
Each month, TATE ETC. publishes new poetry by leading poets such as John Burnside, Moniza Alvi, Adam Thorpe, Alice Oswald
and David Harsent who respond to works from the Tate Collection. Subscribe to the Poem of the Month RSS feed.
This November Niall O'Sullivan presents his poem, Gordale Scar, based on James Ward's Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale). This painting is currently on display in Tate Britain, in 'The Sublime in Crisis: Terror, Torment and Transcendence.' For
the Tate Collection online, visit www.tate.org.uk/collection.
The Poetry Society is curating this year's selection in the organisation's centenary year. Founded in 1909, the Society is now one of Britain’s most high-profile arts organisations, helping poets and poetry thrive in Britain and beyond. Membership is open to all, though members include many of the UK’s most eminent poets. It publishes the highly-respected journal Poetry Review; and also works to deliver a programme of poetry in education, supporting and developing creativity among young people and communities. Visit http://www.poetrysociety.org.uk for further information.


