Issue 16 / Summer 2009
Content:
- Claire Bishop and Boris Groys on Futurism
- Adrien Sina & Sarah Wilson on Valentine de Saint-Point
- Kurt W Forster on Armin Linke
- Robert MacFarlane on Richard Long
- Carl Andre on Richard Long
- Christoph Grunenberg interviews Ellsworth Kelly
- David Batchelor on monochromes
- François Morellet talks about his work
- Anthony d'Offay and others on ARTIST ROOMS
- Caoimhín Mac Giolla Léith on Eva Rothschild
- Robert Storr on Per Kirkeby
- Geoff Dyer on JMW Turner
- Vincent Katz on poets and visual artists
- Polish Art Conversation
- Microtate
- Plus: Travis Elborough in the Tate Archive
- Poem of the Month
- BOOKS ETC.
- Poem of the Month

Raymond Duchamp-Villon
Le Grand Cheval (Large Horse) 1914, cast 1961
Bronze
100.0 x 98.7 x 66.0 cm
Engine of History
Silence. And from it, twist
Shoulder, flank,
Heart-beat and steady
Hoof-plod; and the coulter
Parts the clay, its fragrance
Winding downriver.
Hot horse lather.
Quarters, croup, hock
Thrust up; the straight
Cannon plunge, a piston
Pounding, its contradiction
The bend, break, flex
Of water’s curve and cusp,
That beautiful, blind striving.
Beat, heart, and arch
Crest; shoulder
Bow till the living spine
Uncoils; its engine –
Cog, chain-link, track-plate –
Parting the clay, the river
Dragging its stink –
Sweat, dung, machine-oil, corpses –
Onwards – relentless,
Unswerving – into silence.
Context:
The Poetry SocietyWorks by Raymond Duchamp-Villon in the Tate CollectionArt Vehicle - Contemporary Art in LondonPen Pusher - where new art finds its voice The Poetry LIbrary - The Southbank CentreEach month, TATE ETC. publishes new poetry by leading poets such as John Burnside, Moniza Alvi, Adam Thorpe, Alice Oswald
and David Harsent who respond to works from the Tate Collection. Subscribe to the Poem of the Month RSS feed.
This May, Katrina Porteous presents her poem, Engine of History, based on Raymond Duchamp-Villon's Large Horse. This work is currently on display in Tate Modern, on Level 5: States of Flux, in Room 2, (Cubism, Futurism, Vorticism).
The Poetry Society is curating this year's selection in the organisation's centenary year. Founded in 1909, the Society is now one of Britain’s most high-profile arts organisations, helping poets and poetry thrive in Britain and beyond. Membership is open to all, though members include many of the UK’s most eminent poets. It publishes the highly-respected journal Poetry Review; and also works to deliver a programme of poetry in education, supporting and developing creativity among young people and communities. Visit http://www.poetrysociety.org.uk for further information.


