Issue 15 / Spring 2009
Content:
- Editors' Note
- Francesco Bonami on the Everyday
- Rochelle Steiner and Alison Gingeras on Glenn Brown
- Jeremy Wood on Anthony van Dyck
- Adam Nicolson on Anthony van Dyck
- Philip Ursprung on Otto Muehl's Manopsychotic Ballet
- Martin Herbert on New Modernism
- Andrew Hunt on the Tate Triennial
- Will Stuart's Artist's Project
- Christina Kiaer on Russian Female Artists
- Elisabeth Lebovici on Roni Horn
- Mark Godfrey on Roni Horn
- Sam Smiles on Late Turner
- Charlotte Klonk on Katja Strunz
- Microtate
- Susie Gauntlett in the Tate Archive
- Steve McQueen Q&A
- John Lloyd talks to William Kentridge
- Elaine Feinstein presents Poem of the Month
Martin Herbert on New Modernism
"New Modernism is rampant," argues Martin Herbert.
Anselm Reyle
Untitled
Installed at the Kunsthalle Zurich
Courtesy The Modern Institute/ Toby Webster Ltd
Neon, chains, transformer
Dimensions variable
Francesco Bonami on the Everyday
From Gabriel Orozco's exhibition of yoghurt pot lids to Rirkrit Tiravanija's transformation of a gallery into a kitchen to serve visitors food, when David Hammons set up a stand selling snowballs in downtown New York, he cannot have imagined that 25 years later the subject of the "everyday" would be so popular.
Jeremy Wood on Anthony van Dyck
Is Anthony van Dyck a British artist? Jeremy Wood charts the continental shift of a peripatetic man who spent two influential periods of time in England.