Issue 13 / Summer 2008
Content:
- Editors' Note
- Brooks Adams on Boetti, Polke, Clemente and Taaffe
- Briony Llewellyn on British Orientalist Painting
- Max Kozloff on Street & Studio: An Urban History of Photography
- Four photographers on Street & Studio: An Urban History of Photography
- Sabine Rewald on Balthus
- Claire Daigle on Cy Twombly
- Herbert Lachmayer and Alfred Weidinger on Gustav Klimt
- Wilfried Dickhoff on Marcel Broodthaers
- John Onians and Eric Fernie on Neuroarthistory
- Christopher Miles on John Baldessari
- David Lewis on Ben Nicholson
- Pae White, Peter Schjeldahl, Vincent Katz and Mary Richards
- Hari Kunzru on King Mob
- ONLINE EXCLUSIVE: A History of the Vienna Secession
- BOOKS ETC. Claire Nichols on Lawrence Weiner
- ONLINE EXCLUSIVE: Balthus - A Personal View
Herbert Lachmayer and Alfred Weidinger on Gustav Klimt
To coincide with Tate Liverpool’s exhibition ‘Gustav Klimt: Painting, Design and Modern Life in Vienna 1900’, we bring together a cultural historian and a Klimt specialist to debate how the man who remains one of the world’s most popular modern artists took voyeurism to new heights.
Gustav Klimt
Detail of Altar of Dionysus, painted for the Burgtheater, Vienna, 1886 - 1888
© Georg Soulek/Burgtheater
Oil on marble
c. 160 x 1200cm
Claire Daigle on Cy Twombly
Coinciding with Cy Twombly’s 80th birthday, Tate Modern is staging the first retrospective of the American artist’s work for twenty years. Claire Daigle charts his time since the 1950s.
Christopher Miles on John Baldessari
The American artist John Baldessari has influenced several generations of younger artists, and has, since the 1960s, consistently renegotiated his own working practice. Christopher Miles pays him a visit.