Issue 13 / Summer 2008
Content:
- Editors' Note
- Brooks Adams on Boetti, Polke, Clemente and Taaffe
- Briony Llewellyn on British Orientalist Painting
- Max Kozloff on Street & Studio: An Urban History of Photography
- Four photographers on Street & Studio: An Urban History of Photography
- Sabine Rewald on Balthus
- Claire Daigle on Cy Twombly
- Herbert Lachmayer and Alfred Weidinger on Gustav Klimt
- Wilfried Dickhoff on Marcel Broodthaers
- John Onians and Eric Fernie on Neuroarthistory
- Christopher Miles on John Baldessari
- David Lewis on Ben Nicholson
- Pae White, Peter Schjeldahl, Vincent Katz and Mary Richards
- Hari Kunzru on King Mob
- ONLINE EXCLUSIVE: A History of the Vienna Secession
- BOOKS ETC. Claire Nichols on Lawrence Weiner
- ONLINE EXCLUSIVE: Balthus - A Personal View
- PODCAST: Richard Hamilton in conversation
- POEM OF THE MONTH
Herbert Lachmayer and Alfred Weidinger on Gustav Klimt
Claire Daigle on Cy Twombly
Coinciding with Cy Twombly’s 80th birthday, Tate Modern is staging the first retrospective of the American artist’s work for twenty years. Claire Daigle charts his time since the 1950s.
Christopher Miles on John Baldessari
The American artist John Baldessari has influenced several generations of younger artists, and has, since the 1960s, consistently renegotiated his own working practice. Christopher Miles pays him a visit.
Max Kozloff on Street & Studio: An Urban History of Photography
To coincide with Tate Modern's survey exhibition that explores the parallel worlds of photographs taken in the urban environment and those taken as studio portraits, Max Kozloff argues that such distinctions have become blurred over the years.