To coincide with Tate Liverpool's exhibition 'Gustav Klimt: Painting, Design and Modern Life in Vienna 1900', we bring together a cultural historian and a Klimt specialist to debate how the man who remains one of the world's most popular modern artists took voyeurism to new heights.

• Editor's Note
• Alfred Weidinger & Herbert Lachmayer on Gustav Klimt
• Brooks Adams on Boetti, Polke, Clemente & Taaffe
• Briony Llewellyn on British Orientalist Paintings
• Max Koxloff, Juergen Teller, David Goldblatt and others on Street and Studio Photography
• Hari Kunzru on King Mob
• Wilfried Dickhoff on Marcel Broodthaers
• John Baldessari in the studio
• Claire Daigle on Cy Twombly
• David Lewis on Ben Nicholson
• Eric Fernie & John Onians on Neuroarthistory

Image Reference:
Gustav Klimt, Detail of Altar of Dionysus, painted for the Burgtheater, Vienna, 1886 - 1888 © Georg Soulek/Burgtheater
Oil on marble c. 160 x 1200cm

Cy Twombl, Untitled VII from Bacchus Series 2005. Courtesy Gagosian Gallery © Cy Twombly Oil on canvas