TATE

TATE

ISSN 1753-9854

ISSN 1753-9854

TATE’S ONLINE RESEARCH JOURNAL

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ISSUE 11 Spring 2009

Border Crossing

Felicity Allen

A Technical Study of Picasso's Construction Still Life 1914

Jackie Heuman

The Artist as Educator: Examining Relationships between Art Practice and Pedagogy in the Gallery Context

Emily Pringle

Experiments in Integrated Programming

Sally Tallant

The Body is Present Even if in Disguise: Tracing the Trace in the Artwork of Nancy Spero and Ana Mendieta

Joanna S. Walker

REPORTS AND TALKS

Turner Prize 2008 Reading Room Report

Ashlee Honeybourne

Tools to Understand: An Evaluation of the Interpretation Material used in Tate Modern’s Rothko Exhibition

Renate Meijer and Minnie Scott

ISSUE 10 Autumn 2008

Andrei Tarkovsky and Contemporary Art: Medium and Mediation

Robert Bird

Time-Lines: Rilke and Twombly on the Nile

Mary Jacobus

An Unpublished Drawing by Duchamp: Hell in Philadelphia

Jennifer Mundy

Some Notes on Words and Things in Cy Twombly’s Sculptural Practice

Kate Nesin

Cy Twombly’s Humanist Upbringing

Carol A. Nigro

On the Evolution of a Peer-led Programmme: Tate Forum

Rebecca Sinker

The History and Manufacture of Lithol Red, a Pigment Used by Mark Rothko in his Seagram and Harvard Murals of the 1950s and 1960s

Harriet A. L. Standeven

REPORTS AND TALKS

Advocating to Stakeholders

Andrea Nixon

ISSUE 9 Spring 2008

Perspectives: Negotiating the Archive

Sue Breakell

Alfredo Jaar and the Post-Traumatic Gaze

Olivier Chow

Sir Edwin Manton’s Glebe: Completing the Provenance of Constable’s Glebe Farm Sketch c.1830

Douglas Congdon-Martin

Art in the Archives: An Artist’s Residency in the Archives of the London School of Economics

Sue Donnelly

Tangentially: The Archive and the Bathroom

Lucy Gunning, Jo Melvin and Victoria Worsley

The Legacy of Interaction: Artists at the Imperial War Museum 1981–2007

Catherine Moriarty and Angela Weight

The Very Late Style of Hans Hartung

Jennifer Mundy

ISSUE 8 Autumn 2007

The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication

Sebastiano Barassi

Thoughts on Replication and the Work of Eva Hesse

Michelle Barger

Nothing but the Real Thing: Considerations on Copies, Remakes and Replicas in Modern Art

Lydia Beerkens

Replicas and Reconstructions in Twentieth-Century Art

Christiane Berndes

Hélio Oiticica

Guy Brett

Richard Serra: A Case Study

Lynne Cooke

Thoughts on Thoughts on Replication

Harry Cooper

Replication: Then and Now

Penelope Curtis

Blurring the Boundaries between Art and Life (in the Museum?)

Anna Dezeuze

Amazement and Uneasiness: Early Thoughts

Matthew Gale

Anthony McCall’s Line Describing a Cone

Mark Godfrey and Anthony McCall

The Rules of the Game

Walter Grasskamp

Degradation of Naum Gabo’s Plastic Sculpture: The Catalyst for the Workshop

Stephen Hackney

Tate Sculpture Replica Project

Jackie Heuman and Lyndsey Morgan

Resistance to Replication

Margaret Iversen

The Passing Away of Art

Ulrich Lang

Replication and Decay in Damien Hirst's Natural History

Petra Lange-Berndt

The Model of Vladimir Tatlin’s Monument to the Third International: Reconstruction as an Instrument of Research and States of Knowledge

Nathalie Leleu

Replicas of László Moholy-Nagy's Light Prop: Busch-Reisinger Museum and Harvard University Art Museums

Henry Lie

Naum Gabo and the Quandaries of the Replica

Christina Lodder

Posthumous Legal and Ethical Issues

Henry Lydiate

Authority and Ethics

Carol Mancusi-Ungaro

Gabo Cataloguing Project at the Tate Archive

Anna McNally

Why/Why Not Replicate?

Jennifer Mundy

Kurt Schwitters: Reconstructions of the Merzbau

Karin Orchard

Reconstructing the Forgotten: An Exhibition of 1970s and 1980s Video Installations, Re-staged with Authentic Technology

Joanna Phillips

The Enduringly Ephemeral

Alex Potts

Carl Andre

Alistair Rider

Should We Reproduce the Beauty of Decay? A Museumsleben in the work of Dieter Roth

Heide Skowranek

Inherent Vice

Julian Stallabrass

Replication: Some Thoughts, Some Works

Simon Starling

Inherent Vice or Vice Versa

Sturtevant

Je travaille sur la présence

Didier Vermeiren

Replicas of Constructions by Naum Gabo: A Statement by the Copyright Holders

Nina and Graham Williams

SUPPORTING DOCUMENTS

Replication of Sculpture / Works of Art: Legal Guidelines

Tate Legal and Copyright Department

Digitisation and Conservation

Tate Legal and Copyright Department

Terminology for Further Expansion

Selected Bibliography

Participant Biographies

Afterthoughts

Introduction by Matthew Gale

ISSUE 7 Spring 2007

Towards Anarchitecture: Gordon Matta-Clark And Le Corbusier

James Attlee

Historically Accurate Reconstructions of Artists’ Oil Painting Materials

Leslie Carlyle and Maartjee Witlox

A Dramatic Reading of Augustus Leopold Egg’s Untitled Triptych

Annabel Rutherford

Josef Albers, Eva Hesse, and the Imperative of Teaching

Jeffrey Saletnik

ISSUE 6 Autumn 2006

Lines of Sight: Alfred Watkins, Photography and Topography in Early Twentieth-Century Britain

Stephen Daniels

'Pataphysical Graham': A Consideration of the Pataphysical Dimension of the Artistic Practice of Rodney Graham

Steven Harris

Edward Hopper and British Artists

David Fraser Jenkins

Authenticity, Change and Loss in the Conservation of Time-Based Media Installations

Pip Laurenson

The Effects of Surface Cleaning on Acrylic Emulsion Paintings

Bronwyn Ormsby Et Al

Between Text and Image in Kandinsky's Oeuvre: A Consideration of the Album Sounds

Christopher Short

Kandinsky and Contemporary Painting

Brandon Taylor

ISSUE 5 Spring 2006

Constable's Sketch for Hadleigh Castle: A Technical Examination

Natasha Duff

A Lively Parrot: Frances Hodgkins's Wings Over Water

Sarah Hillary and Joyce H. Townsend

Military Avoidance: Marcel Duchamp and the 'Jura-Paris Road

Kieran Lyons

'Poor abraded butterflies of the stage': Sickert and the Brighton Pierrots

Nicola Moorby

All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’

Luke Skrebowski

ISSUE 4 Autumn 2005

Beuys is Dead: Long Live Beuys! Characterising Volition, Longevity, and Decision-Making in the Work of Joseph Beuys

Rachel Barker and Alison Bracker

Emila Medková: The Magic of Despair

Krzysztof Fijałkowski

Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at Tate Modern

Michèle Fuirer

Thomas Gainsborough's 'Lost' Portrait of Auguste Vestris

Martin Postle

The 'Comic Sublime': Eileen Agar at Ploumanac'h

Ian Walker

ISSUE 3 Spring 2005

The Separateness of Things

Victor Burgin

Uncovering Professionalism in the Art Museum: An Exploration of Key Characteristics of the Working Lives of Education Curators at Tate Modern

Helen Charman

Glazing Over: A Review of Glazing Options for Works of Art on Paper

Rosie Freemantle

The Management of Display Equipment in Time-based Media Installations

Pip Laurenson

Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity

Sam Smiles

From the Green Box to Typo/Topography: Duchamp and Hamilton's Dialogue in Print

Paul Thirkell

ISSUE 2 Autumn 2004

Contemporary Art and the Role of Interpretation: Reflections on Tate Modern’s Summer Institute for Teachers

Helen Charman and Michaela Ross

New Media Art and the Gallery in the Digital Age

Charlie Gere

Paintings on Canvas: Lining and Alternatives

Stephen Hackney

‘The Veriest Poem of Art in Nature’: E. A. Hornel’s Japanese Garden in the Scottish Borders

Ysanne Holt

Conservation Concerns for Acrylic Emulsion Paints: A Literature Review

Elizabeth Jablonski, Tom Learner, James Hayes and Mark Golden

Awkward Relations

Neil Mulholland

Judd through Oldenburg

Richard Shiff

The Materials Used by British Oil Painters in the Nineteenth Century

Joyce H. Townsend

Kenneth Armitage’s Pandarus (version 8)

Toby Treves

ISSUE 1 Spring 2004

On Painting

Art & Language

'Unland'. The Place of Testimony

Tanya Barson

Sir Anthony van Dyck's Portraits of Sir William and Lady Killigrew, 1638

Karen Hearn

Developing Strategies for the Conservation of Installations Incorporating Time- based Media: Gary Hill's Between Cinema and a Hard Place

Pip Laurenson

An 'overflowing, a richness & poetry': Joseph Cornell's Planet Set and Giuditta Pasta

Jennifer Mundy

Gothic Romance and the Quixotic Hero: A Pageant for Henry Fuseli in 1783

Martin Myrone

'Are We as a Society Going to Carry on Treating People This Way?' Michael Landy's Scrapheap Services

Sean Rainbird

The Photographic Comportment of Bernd and Hilla Becher

Blake Stimson