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10 October 2007  –  20 January 2008Louise Bourgeois

Room Guide - Room 10

The final room in this retrospective exhibition acts as a kind of ‘cabinet of curiosities’, showing small sculptures and drawings made by Louise Bourgeois over a sixty-year time span.

Unlike many contemporary artists, Bourgeois has maintained her daily practices of making, drawing and writing throughout most of her career. She has accepted a number of significant, large-scale commissions, but for the most part her work is studio-based. The small works in this room are testament to her drive to create, to experiment with materials, forms and ideas.

This room also acts as a small-scale, alternative retrospective exhibition of Bourgeois’s work. Pieces are grouped together by theme or type, rather than chronology, highlighting the very wide range of materials and techniques with which Bourgeois has worked. Objects, shapes and images recur over time, showing the artistic vocabulary Bourgeois developed through the years and giving further insight into her thought processes and working methods.

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Untitled 1986
Watercolour, ink, oil, charcoal and pencil on paper
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Untitled 2002
Fabric and steel
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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The Woven Child 2002
Fabric, steel and aluminium
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Fragile Goddess 2002
Fabric
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Give or Take 2002
Bronze, silver nitrate patina
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Spider 2003
Stainless steel and fabric
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
The Reticent Child 2003
Fabric, marble, stainless steel and aluminium
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Soft Landscape 1963
Latex and plaster
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Portrait 1963
Latex, wall piece
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Germinal 1967
Marble
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Alan Finkelman
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Soft Landscape II 1967
Plastic
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Soft Landscape I 1967
Plastic
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
White Torso 1968
White marble
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Harmless Woman 1969
Bronze, gold patina
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Fragile Goddess 1970
Bronze, gold patina
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Heart 1970
Bronze, gold patina
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Mother and Child 1970
Wax, metal pins and needles
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Untitled 1970–2
Bronze, five elements
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
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Untitled 1996
Fabric, lace and thread
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Peter Bellamy
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Give or Take (How Do You Feel This Morning?) 1990
Bronze, dark polished patina
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
Untitled 1947
Pencil on paper
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
Spider 1994
Gouache, coloured pencil and crayon on paper
Private Collection © Louise Bourgeois Photo: Christopher Burke
Le Suicide Threat 1987
Watercolour and ink on paper
Private Collection © Louise Bourgeois Photo: Christopher Burke
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Portrait of Robert 1969
Bronze, painted white
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth © Louise Bourgeois Photo: Christopher Burke
Untitled
1969
Watercolour and charcoal on paper
Private Collection © Louise Bourgeois Photo: Christopher Burke
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Femme Maison 1994
White marble
Private collection © Louise Bourgeois Photo: Christopher Burke
Self Portrait
1938
Ink and pencil on paper
Private collection

Bourgeois was not particularly interested in her own face, but she made a few self-portrait drawings during the years of the Second World War, when she found herself stranded in America. Physical displacement seems to have prompted her to examine her own identity.

Self Portrait
1938
Pencil on paper
Courtesy Cheim & Read, Galerie Karsten Greve and Galerie Hauser & Wirth
Louise Bourgeois with Spider IV in 1996. Photo: Peter Bellamy