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Room
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Between 1962-64, Hesse developed a looser, more gestural drawing
and painting style, often incorporating colourful, collaged elements.
Surrealist artists, such as Roberto Matta and Arshile Gorky, may
have influenced her use of fluid, almost random marks in the series
of drawings and paintings in this room. The sense of energy and
dynamism between the forms is enhanced by her use of arrows to further
emphasise movement.
The fluidity of her style is matched by her flexible
approach to the physical components of the works. For instance,
she would sometimes take drawings apart and reassemble them as collages,
perhaps returning to them later to move collaged elements or even
turning them upside down.
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