29 May
–
13 September 2009
Byron Kim
Synecdoche, 1991-present
Oil and wax on panel
Dimensions variable. Each panel: 25 x 20 cm
© Courtesy the artist and Max Protetch Gallery, New York
Synecdoche, 1991-present
Oil and wax on panel
Dimensions variable. Each panel: 25 x 20 cm
© Courtesy the artist and Max Protetch Gallery, New York
Byron Kim
Works in the exhibition
Synecdoche, 1991-present
Oil and wax on panel
Dimensions variable. Each panel: 25 x 20 cm
Courtesy the artist and Max Protetch Gallery, New York
A ‘synecdoche’ is a figure of speech in which a part stands for the whole (set of wheels for car, for example) or the whole stands for a part (head for mind, as in 'use your head'). Kim painted this series of oil and wax panels from life, each based on the skin tone of a single model, 'a part which, for better or worse, stands for the whole person'. To date he has painted just over 400 panels. For Kim, as few as one can be the work: 'any part of the artwork can stand in for and in a sense actually is the whole work.'
Resources
Multimedia
- In the Studio: Byron Kim: TateShots Issue 19, NYC Special
- Bas Jan Ader
- Cory Arcangel
- John Baldessari
- Jennifer Bartlett
- David Batchelor
- Alighiero Boetti
- Angela Bulloch
- Daniel Buren
- André Cadere
- John Chamberlain
- Liz Deschenes
- Jan Dibbets
- Jim Dine
- Marcel Duchamp
- Dan Flavin
- Katharina Fritsch
- Dan Graham
- Damien Hirst
- Jasper Johns
- Donald Judd
- On Kawara
- Mike Kelley
- Ellsworth Kelly
- Byron Kim
- Yves Klein
- Jim Lambie
- Sherrie Levine
- François Morellet
- Bruce Nauman
- Blinky Palermo
- Giulio Paolini
- Michel Parmentier
- Walid Raad
- Robert Rauschenberg
- Gerhard Richter
- Edward Ruscha
- Richard Serra
- Frank Stella
- Andy Warhol
- Carrie Mae Weems
- Lawrence Weiner
- Christopher Williams

