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The Penance of Jane Shore  
The Penance of Jane Shore(c. 1793) © Tate

In August 1779, Blake was admitted to the Royal Academy (founded by the painter Sir Joshua Reynolds who was then its president). Paying his way by producing engravings for novels and catalogues, Blake drew from casts, life models and corpses, and shared in the dream of founding a new English school of historical painting.

There was, however, friction between Blake and his teachers. Reynolds recommended that he work with 'less extravagance and more simplicity', while George Michael Moser, another teacher there, discouraged Blake's admiration for the 'old, hard, stiff and dry unfinished works' of Raphael and Michelangelo. On the other hand, Blake was inspired by the artist James Barry and his grand historical paintings. He made friends with other young artists and was able to exhibit his own historical watercolours.

Blake married Catherine Boucher at St Mary's, Battersea in 1782. The newly-weds then moved out of Blake's father's house to Green Street, near Leicester Square. In the next year Blake's Poetical Sketches were published, and there was even talk of raising a subscription to send him to study in Rome.

 
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