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Rineke Dijkstra - Kolobrzeg, Poland, July 26 1992.

Rineke Dijkstra
Kolobrzeg, Poland, July 26 1992
© Courtesy of Rineke Dijkstra and Anthony D'Offay


Performance, Gender and Identity


 Session 6: Baby Butches and Reluctant Lolitas: Performances of Adolescence
 

Session 6: Baby Butches and Reluctant Lolitas: Performances of Adolescence

Speaker: Catherine Grant, art historian and editor at Black Dog Publishing

 

Collier Schorr and Hellen van Meene are contemporary photographers who are both known for their seductive, glossy portraits of adolescent girls, coming to prominence in the 1990s with a number of other women photographers who focus on the adolescent in their photography. Their portraits play with traditional voyeuristic modes of looking, with the older female photographer taking the place of the voyeuristic male and the model taking the place of 'Lolita'. Catherine Grant considers the performances that take place in their photographs, addressing issues of 'queer' looking and the construction of a sexualised identity. Examples from the history of photography are brought in, including EJ Bellocq's portraits of prostitutes from the 1910s and Karlheinz Weinberger's portraits of biker boys from the 1950s.
 

Session 6 Webcasts:


 Catherine Grant 56k (Real Media stream)

 Catherine Grant 256k (Real Media stream)
 Session 4-6 Discussion 56k (Real Media stream)

 Session 4-6 Discussion 256k (Real Media stream)
 Need help with Real Player?
 

Suggested Further Reading

  • Bush, Kate, Hellen van Meene: Portraits, New York: Aperture, 2004
  • Butler, Judith, Gender Trouble: Feminism and the Subversion of Identity, London and New York: Routledge, 1990
  • Butler, Judith, "Melancholy Gender / Refused Identification", in The Psychic Life of Power: Theories in Subjection, Stanford, CA: Stanford University Press, 1997
  • Princenthal, Nancy, "Body Count: Recent Photographs of Women by Women, and Some Precedents," Artext, no. 72, 2000, pp 64-71
  • Townsend, Chris, Vile Bodies: Photography and the Crisis of Looking, Germany and New York: Prestel, 1998, (on Collier Schorr)
       
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