Gainsborough 24 October 2002 - 19 January 2002

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Wooded Landscape with Family Grouped outside a Cottage Door (The Woodcutter's Return)
Wooded Landscape with Family Grouped outside a Cottage Door (The Woodcutter's Return) 1772-3
Oil on canvas
Duke of Rutland, Belvoir Castle, Leicestershire
Wooded Landscape with Family Grouped outside a Cottage Door (The Woodcutter's Return)
Contemporary writers expressed concern about families such as this, living independently in forests rather than labouring for a wage. They were often seen as lawless and lazy trespassers, surviving by furze-cutting and poaching, and defiantly opposing attempts to remove them.

Gainsborough presents an alternative view, perhaps echoing William Gilpin's opinion that 'these little tenements . give pleasure to a benevolent heart' if they are 'the habitations of innocence and industry'.

Cottage Door with Girl and Pigs
The writer on aesthetics, Uvedale Price, noticed that while Gainsborough was 'at times severe and sarcastic... when we have come near to cottages and village scenes with groups of children and objects of rural life that struck his fancy, I have observed his countenance take on an expression of gentleness and complacency'. Paintings such as this invited a similar sympathetic response from their viewers.
Cottage Door with Girl and Pigs
Cottage Door with Girl and Pigs 1786
Oil on canvas
Ipswich Borough Council Museums and Galleries; acquired with the assistance of the National Art Collections Fund, the V&A Grant-in-Aid Fund and the National Memorial Fund