Barry Flanagan: Early Works 1965-1982
Tate Britain 27 September 2011 – 2 January 2012
About the exhibition
Barry Flanagan was one of Britain's most original and inventive artists and a key figure in the development of British and international sculpture. He is best known for the large-scale bronze hare sculptures that he began producing in the early 1980s and that can be seen in many galleries and public spaces around the world. The success of these pieces has tended to obscure the equally important and very different work that characterised his early period. Made from materials as varied as cloth, plaster, sand, hessian and rope, these works highlight a concern with material properties and processes - a concern that is at the heart of his practice.
A contemporary of Gilbert & George, Flanagan studied sculpture at St Martin's School of Art from 1964 to 1966. The exhibition takes this period as a starting point and reveals the impact of this early work on his later development towards casting in bronze, which he began in 1979. This is the first major retrospective of Flanagan's work in London since 1983, and by focusing on his early works, shows how this radical and imaginative artist challenged the very nature of sculpture in his time.
"The exuberant early works of the British sculptor Barry Flanagan are still a delight." - The Observer
"This exhibition brassily shows off the pleasure-giving unruliness of his youth." - The Independent
"Time and again, we see Flanagan bringing the best out of his unpromising materials, shedding new light on traditional sculptural concerns such as weight and matter, surface and space." - The Evening Standard
Events
Double Bell 1980. Collection Liliane and Michel Durand-Dessert, Paris
Opera Dog 1981. Plubronze Limited / courtesy Waddington Custot Galleries, London
Large Leaping Hare 1982. Plubronze Limited / courtesy Waddington Custot Galleries, London
Photo: Tate photography
Second Image:
aaing j gni aa 1965.Tate
pile 1 ’68 1968.Plubronze Limited / courtesy Waddington Custot Galleries, London
pile 3 ’68 1968/1985.Tate
Photo: Tate photography
Third Image:
heap 4 1967. Arts Council Collection, South Bank Centre, London
and then among Celts N. ’77 1977. Plubronze Limited
and then among Celts N.W. ’77 1977. Private Collection
no.5 ’71 1971. Tate
june 2 ’69 1969. Tate
pile 1 ’68 1968. Plubronze Limited / courtesy Waddington Custot Galleries, London
pile 3 ’68 1968/1985. Tate
Photo: Tate photography
Fourth Image:
Untitled 1970. Kröller-Müller Museum, Otterlo, The Netherlands
light on light on sacks 1969. Collection S.M.A.K., Stedelijk Museum voor Actuele Kunst, Gent
Photo: Tate photography
