Performance and Documentation
Programme duration 87'
The development of video in the late 60s and early 70s meant that artists could document their work in a more immediate way
than previously. A tradition of documentation was however, already established by artists of durational works focusing on
the body and performance. Documentary films like James Scott’s Richard Hamilton include performance pieces that blurred the
definitions of ‘documentary’ and ‘documentation.’ This programme of short films is being screened during British Art Week and as a complement to the Art and the 60s exhibition.
Speak John Latham, UK, 1962, 10'
Everybody's Nobody Bruce Lacey and John Sewell, UK 1960, 16'
Moment Steve Dwoskin, UK 1968, 13’
Richard Hamilton James Scott, UK 1969, 25’
Heads Peter Gidal, UK 1969, 33’
Free, no bookings taken
