Wood engravings and drawings by Charles Keene

Collection owner: Charles Samuel Keene

Wood engraving titled ‘Perhaps the most impertinent thing on record’

Charles Samuel Keene

Wood engraving used to illustrate an article titled ‘Essays and Remarks’

Charles Samuel Keene

Wood engraving titled ‘The Honeymoon’

Charles Samuel Keene

Wood engraving used to illustrate article titled ‘Clergymen in Crinoline’

Charles Samuel Keene

Wood engraving titled ‘Index’

Charles Samuel Keene

Wood engraving used to illustrate article titled ‘How, when and where?’

Charles Samuel Keene

Untitled wood engraving with first line reading ‘Omnibus Conductor: ‘vitchapel or Mile End, Sir’

Charles Samuel Keene

Wood engraving titled ‘Awful Apparition of the bard at Mrs Scrimminges’s tea-fight’

Charles Samuel Keene

Untitled wood engraving with first line reading ‘Polite Oxbridge Tradesman...’

Charles Samuel Keene

Untitled wood engraving with first line reading ‘1st Navvy: Aye sin a Dawg aboot year’

Charles Samuel Keene

Wood engraving titled ‘Finis’

Charles Samuel Keene

Wood engraving titled ‘Cadging Extraordinary-A Fact’

Charles Samuel Keene

Wood engraving titled ‘Letter H’

Charles Samuel Keene

Wood engraving titled ‘First Class Travelling’

Charles Samuel Keene

Wood engraving titled ‘The Snub Connubial’

Charles Samuel Keene

Wood engraving titled ‘Pisciculture’

Charles Samuel Keene

Wood engraving titled ‘As Clear as Mud’

Charles Samuel Keene

Wood engraving titled ‘The Timber Drag: A new sensation for the Derby’

Charles Samuel Keene

Wood engraving titled ‘The Season Over’

Charles Samuel Keene