English conceptual artist, writer and photographer. He studied painting at the Royal College of Art from 1962 to 1965 and philosophy and fine art at Yale University from 1965 to 1967. From the late 1960s he adhered to Conceptual art using combinations of photographic images and printed texts to examine the relationship between apparent and implicit meaning. In his Lei Feng series (1973; London, Tate), for example, he drew on semiotic, psychoanalytic and feminist theory to decode structures of representation. A teacher and theoretician, he published numerous writings on art theory and criticism, with particular concern for Postmodernist aesthetics.
Article provided by Grove Art Online www.groveart.com
Copyright material reproduced courtesy of Oxford University Press, New York