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Tabitha Barber

Curatorial Department, Tate Collection
Member of the Executive Committee of the Walpole Society.

Current Projects:
Essay and entries for catalogue of Tudor and Stuart works in the Tate collection (2006); editorship of volume of essays on Restoration court culture (2005-6).

Tanya Barson

Curatorial Department, Tate Collection

Publications:
'Bernd and Hilla Becher', 'Walker Evans', 'Lee Friedlander', 'August Sander' and 'Gary Winogrand' in Emma Dexter and Thomas Weski (eds.), Cruel and Tender: The Real in the Twentieth-Century Photograph, exhibition catalogue, Tate Modern, London 2003, pp.257, 259, 260, 264, 267.
'Jason Evans/Simon Foxton', 'Anish Kapoor', 'Seamus Nicolson' and 'Donald Rodney' in Catherine Kinley and Joanne Berstein (eds.), A Bigger Splash: British Art from Tate 1960-2003, exhibition catalogue, Pavilhão Lucas Nogueira Garcez-Oca and Instituto Tomie Ohtake, São Paulo 2003, pp.181, 212, 264-5, 284.
'Unland' The Place of Testimony, Doris Salcedo's 'Unland: audible in the mouth' 1998, Contemporary Art in Focus, Patrons' Papers 3, Tate, London 2004, 8pp. 2 short texts on Seamus Nicolson and Ori www.tate.org.uk.

Lectures:
'Engaging with Latin American Art: Tate's Collection', Latin American Art in UK Universities and Museums: Past, Present and Future, Department of Art History and Theory, University of Essex, October 2003.

Other:
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4

Current Projects:
Frida Kahlo exhibition, Tate Modern (2005).

Heather Birchall

Curatorial Department, Tate Collection

Publications:
Biographies in Robert Upstone (ed.), The Pre-Raphaelite Dream: Paintings and Drawings from the Tate Collection, exhibition catalogue, Art Gallery of Western Australia, Perth, Dunedin Public Art Gallery, and Frist Center for the Visual Arts, Nashville 2003, pp.182-9.
'Henry Pickering: An Eighteenth-Century Portrait Painter', British Art Journal, vol.IV, no.1, Spring 2003, pp.88-92.
'Contrasting Visions: Ruskin - The Daguerreotype and the Photograph', Living Pictures, vol.2, no.1, 2003, pp.2-20.
50 short texts on works by Cecil Collins, Boris Anrep, James Boswell, Alma-Tadema and others www.tate.org.uk.
'In Pursuit of Rare Meats: The Rex Whistler Mural Tate Britain Restaurant', leaflet, Tate Britain 2003.

Lectures:
'Classicism and Aestheticism', Royal Academy, London, November 2003. 'Ruskin and the Daguerreotype', Pre-Raphaelitism and Science conference, Tate Britain, March 2004.
'Pre-Raphaelites and Photography', Pre-Raphaelite Study Day, Tate Britain, March 2004.

Other:
Member of working party Ruskin Today.

Current Projects:
Review of William Stott of Oldham exhibition for The Art Book.

David Blayney Brown

Curatorial Department, Tate Collection

Publications:
'Introduction: Crossing the Channel', 'Literature and History: Shakespeare, Scott, Byron and Genre historique', pp.124-7, 'The School of Modern Life: History, Genre, Portraiture, Animals', pp.156-61, and entries in Patrick Noon (ed.), Constable to Delacroix. British and French Painting in the Age of Romanticism, exhibition catalogue, Tate Britain 2003 (reissued as Crossing the Channel: British and French Painting in the Age of Romanticism for showings at Minneapolis and New York), pp.51, 60-4, 89, 105, 109, 110-11, 120-1, 136, 144, 146-9, 172, 201, 214, 218, 223, 226, 249-51, 253.
Catalogue entries for works on paper in the Turner Bequest.

Lectures:
'Introducing Romanticism', Minneapolis Institute of Arts, July 2003.
'Time and Romanticism', University of Cambridge summer school, July 2003.
'Turner and Varnishing Days', plenary lecture, University of Cambridge, July 2003.
'John Julius Angerstein: Art and Plutocracy', City Merchants and the Arts, Corporation of London, Guildhall, London, November 2003.

Other:
Leadership of the Turner/Finberg revision project.
Vice President of the Byron Society.

Current Projects:
Catalogue entries for works on paper in the Turner Bequest; essay for Mariele Neudecker exhibition, Tate St Ives (2004); essay for Turner and Constable and their European Contemporaries, exhibition at Statens Museum for Kunst, Copenhagen (2004); contributor to Picture of Britain exhibition, Tate Britain (2005); essay on Romantic Historicism for Companion to European Romanticism (?2005); essay on Samuel Palmer and literature for Samuel Palmer exhibition, British Museum, London and Metropolitan Museum, New York (2005).

Giorgia Bottinelli

Curatorial Department, Tate Collection

Publications:
56 short texts on Renato Guttuso, Michael Kidner, Fernand Léger, Henri Matisse, Henry Moore, Pablo Picasso, Veronica Ryan, Shozo Shimamoto and others www.tate.org.uk.

Lectures:
'The Venice Biennale under Fascism', Henry Moore Institute, Leeds, June 2003.

Current Projects:
Entries in Cubism and its Legacy: The Gift of Gustav and Elly Kahnweiler, exhibition catalogue, Tate Modern (2004); Mark Rothko Seagram Murals publication and display, Tate Modern (2005).

Helen Delaney

Curatorial Department, Tate Collection

Publications:
'Staging Authenticity' in Lisa LeFeuvre (ed.) Tom Gleeson: Dark Continent, Dublin 2003, pp.iii-vii.
'Margaret Barron', in Judith Nesbitt and Jonathon Watkins (eds.), Days Like These: The Tate Triennial Exhibition of Contemporary British Art, exhibition catalogue, Tate Britain 2003, p.36.
'Bridget Riley', 'Barry Flanagan', 'Tony Cragg', 'Richard Deacon', 'Cornelia Parker', 'Richard Wentworth', 'Bill Woodrow', in Catherine Kinley and Joanne Berstein (eds.), A Bigger Splash: British Art from Tate 1960-2003, exhibition catalogue, Pavilhão Lucas Nogueira Garcez-Oca and Instituto Tomie Ohtake, São Paulo 2003, pp.130, 141, 161, 164, 189, 190-4, 196.
Review: 'Not Giving Way on Your Desire: Sublimation and Ethical Action', Art History, vol.26, issue 4, September 2003, pp.576-7.

Current Projects:
Entries for Tyler Gift catalogue (2004).

Matthew Gale

Curatorial Department, Tate Collection

Publications:
Review: 'Tirs of Rage: The Penultimate Word on Niki de Saint Phalle', Art Newspaper, July-August 2002, p.31.
'Rewinding Ariadne's Thread: De Chirico and Greece, Past and Present', in Michael Taylor (ed.), Giorgio de Chirico and the Myth of Ariadne, exhibition catalogue, Philadelphia Museum of Art and Estorick Collection, London, 2002-3, pp.51-64.
Edited, with Carmen Giménez, Constantin Brancusi: The Essence of Things, exhibition catalogue, Tate Modern, London, and Solomon R. Guggenheim Museum, New York, 2003-4, 144pp, including 'Brancusi: An Equal Among Rocks, Trees, People, Beasts and Plants', 'Selected Aphorisms' and 'Chronology', pp.20-35, 126-33, 134-9.
'Barbara Hepworth', in Penelope Curtis (ed.), Sculpture in 20th-Century Britain. Volume 2: A Guide to the Sculptors in the Leeds Collections, Henry Moore Institute, Leeds 2003, pp.157-9.
2 catalogue entries on Boris Taslitzky and Jacques Villeglé www.tate.org.uk.

Lectures:
'Falling Like Slides: Francis Bacon, Chance and Order', Francis Bacon Symposium, Hugh Lane Gallery and Trinity College, Dublin, November 2002.
'The Mystery and Melancholy of Ariadne', Estorick Collection, London, February 2003. 'Speaking through Carving: Hepworth and Brancusi', Barbara Hepworth Symposium, Tate St Ives, September 2003.
'Brancusi: Carving a Reputation', Open University Sculpture Study Day, Tate Modern, London, March 2004.

Other:
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4.

Current Projects:
Essay '"Nous sommes quelques-uns à avoir quelque chose en commun": Jean Hélion et l'art britannique, 1933-1937' for Jean Hélion, exhibition catalogue, Centre Pompidou, Paris (2004); research into Gabo exhibition copies.

Robin Hamlyn

Curatorial Department, Tate Collection

Publications:
Consultant editor for Joyce Townsend (ed.), William Blake: The Painter at Work, Tate Publishing, London 2003, including 'William Blake at Work: "Every thing which is in Harmony"', pp.12-39, and, with Joyce Townsend and John Anderson, 'The Presentation of Blake's Paintings', pp.162-74.

Current Projects:
Catalogue entries on John Flaxman's album of 65 drawings from Oppé Collection, Tate.

Karen Hearn

Curatorial Department, Tate Collection

Publications:
Marcus Gheeraerts II: Elizabethan Artist, exhibition catalogue, Tate Britain 2002, 64 pp. With Pauline Croft, 'Only Matrimony Maketh Children to be Certain ...': Two Elizabethan Pregnancy Portraits', British Art Journal, vol.3, no.3, Autumn 2002, pp.19-24.
Review: Prado exhibition 'Sale of the Century: Artistic Relations between Spain and Great Britain 1604-1655', InformARTES, issue 2, Autumn 2002, p.9.
Entries in Susan Doran (ed.), Elizabeth, exhibition catalogue, National Maritime Museum, London, 2003, pp.17, 21, 110, 96-7, 190-2.
Entries in Grandes maestros del Museo Lázaro Galdiano, exhibition catalogue, Fundacion Pedro Barrie de la Maza, La Coruña, Spain 2003.
Sir Anthony van Dyck's Portrait of Sir William Killigrew, Tate Patrons' Papers 6, London, 2003.
'A Question of Judgment: Lucy Harington, Countess of Bedford, as Art Patron and Collector', in Edward Chaney (ed.), The Evolution of English Collecting, Yale University Press, New Haven and London, 2003, pp.221-39.
'The English Career of Cornelius Johnson', in E. Domela, M. van de Meij-Tolsma, J. Roding, E.J. Sluijter, B.Westerweel (eds.), Dutch and Flemish Artists in Britain 1550-1700, Leiden 2003, pp.113-29.
Review: 'Van Dyck and the Representation of Dress in Seventeenth-Century Portraiture' by E.E.S. Gordenker, in Costume: The Journal of the Costume Society, no.37, 2003.
'Merchant Patrons for the Painter Jan Siberechts', in Mireille Galinou (ed.), City Merchants and the Arts 1670-1720, Wetherby 2004, pp.83-92.

Lectures:
'The Art Patronage of the 1st Duke of Newcastle', Fornicating with the Nine Muses: William Cavendish, 1st Duke of Newcastle conference, Oxford University, May 2002. 'Marcus Gheeraerts II: Painter of the Late Elizabethan Court', National Portrait Gallery, London, September 2002.
'Merchant Patrons for the Painter Siberechts', City Merchants and the Arts conference, Guildhall Art Gallery, London, November 2002.
'Lady Anne Clifford's "Great Picture"', Tate Britain 2003.
'Hans Eworth and his Artist Contemporaries', Henry VIII Revealed conference, Walker Art Gallery, Liverpool, February 2003.
'Secrets & Lies in Sixteenth-Century Portraits', National Portrait Gallery, London, March 2003.
'Images of Elizabeth I', Victoria & Albert Museum, London, March 2003.
'The Pregnancy Portrait', Art in the Age of Elizabeth I conference, Tate Britain, March 2003.
'"Oure hopefull burthen…": Elizabethan Pregnancy Portraits', Picturing Presence conference, National Portrait Gallery, London, July 2003.
'Images of Elizabeth I', Tate Britain, October 2003.
'Elizabeth I and the Spanish Armada: the Society of Apothecaries' Painting', The Expansion of Elizabethan England conference, National Maritime Museum, London, September 2003.
'Elizabethan Pregnancy Portraits', Art Institute of Chicago, Old Masters Group, Chicago, December 2003.
'Painting in England During the Lifetime of Shakespeare', Birkbeck College/Shakespeare's Globe, London, January 2004.
'Lady Anne Clifford's "Great Triptych"', Lady Anne Clifford: A Study in Power, Gender and Culture symposium, Tate Britain, March 2004.

Other:
Organiser of Art in the Age of Elizabeth I conference, Tate Britain, March 2003, and Lady Anne Clifford symposium, Tate Britain, March 2004.
Taught on MA course The Northern Renaissance, Queen Mary College, London University, Autumn 2003.

Current Projects:
Essay and catalogue entries on Tudor and Stuart works in the Tate Collection; essay for Fornicating with the Nine Muses: William Cavendish, 1st Duke of Newcastle, MIT Press (2004/5); article for London Topographical Record (2005).

David Fraser Jenkins

Curatorial Department, Tate Collection

Publications:
Whistler, Sargent, and Steer: Impressionists in London from the Tate Collection, exhibition catalogue, Frist Center for the Visual Arts, Nashville, Tennessee 2002. With Frances Spalding, John Piper in the 1930s: Abstraction on the Beach, exhibition catalogue, Dulwich Picture Gallery, London 2003.
'Frank Dobson', in Penelope Curtis (ed.), Sculpture in 20th-Century Britain. Volume 2: A Guide to the Sculptors in the Leeds Collections, Henry Moore Institute, Leeds 2003, pp.80-1.
Review: Ceri Richards by Mel Gooding, Burlington Magazine, vol.145, January 2003, p.45. Review: Art in Exile: Flanders, Wales and the First World War, Museum of Fine Arts, Ghent, Apollo, April 2003, vol.157, no.494, pp.56-7.
Review: Humphrey Ocean in Dulwich, British Art Journal, 4, 3, Autumn 2003, p.104.

Lectures:
'The Interpretation of Paintings by W.R. Sickert', Sickert and Jack the Ripper conference, Tate Britain, November 2003.

Current Projects:
Gwen John and Augustus John exhibition, Tate Britain (2004-5); essay for catalogue of works by the Camden Town Group in the Tate collection (2004).

Matthew Imms

Curatorial Department, Tate Collection

Publications:
Entries in Alan Windsor (ed.), British Sculptors of the Twentieth Century, Ashgate, Aldershot 2003, pp.46, 48-57.

Current Projects:
Catalogue works on paper in the Turner Bequest.

Catherine Kinley

Curatorial Department, Tate Collection

Publications:
Edited, with Joanne Bernstein, A Bigger Splash: British Art from Tate 1960-2003, exhibition catalogue, Pavilhão Lucas Nogueira Garcez-Oca and Instituto Tomie Ohtake, São Paulo 2003; including 'Introduction', pp.40-3.
'David Ross', in David Ross, the Most Beautiful Western, London 2003 pp.5-7.
'Impure Objects: Aesthetics Forms and Meanings 1975-2000', in Sculpture in 20th -Century Britain. Volume 1: Identity, Infrastructures, Aesthetics, Display, Reception, Henry Moore Institute, Leeds 2003, pp.242-52.
'Hamish Fulton' in Penelope Curtis (ed.), Sculpture in 20th-Century Britain. Volume 2: A Guide to the Sculptors in the Leeds Collections, Henry Moore Institute, Leeds 2003, pp.118-20.

Other:
Taught on MA course, Byam Shaw School of Art, 2002; MA Fine Art Wimbledon School of Art, 2002; MA Fine Art Bath Spa University 2003.
Judge of Unilever International Schools Art Prize 2002.

Anne Lyles

Curatorial Department, Tate Collection

Publications:
Section introduction and entries, with Greg Smith, in Thomas Girtin: The Art of Watercolour, exhibition catalogue, Tate Britain 2002, pp.235-53.
168 catalogue entries in Constable: Le Choix de Lucian Freud, exhibition catalogue, Galeries Nationales du Grand Palais, Paris 2002.
'John Constable and the Art of Seeing Nature', in Constable: A Breath of Fresh Air, leaflet, Millenium Galleries, Sheffield, pp.4-12.

Lectures:
'Thomas Girtin: The Art of Watercolour': An Introduction to the Exhibition', Tate Britain, July 2002.
'John Constable, The 'Natural Painter'?', Galeries Nationales du Grand Palais, Paris, January 2003.
'John Constable: A Breath of Fresh Air: An Introduction to the Exhibition', Millenium Galleries, Sheffield, March 2003.

Other:
Visiting Fellowship, Yale Center for British Art, New Haven, May 2002.

Current Projects:
Constable and the Six-Footers exhibition, Tate Britain (2006-7).

Elizabeth Manchester

Curatorial Department, Tate Collection

Publications:
Extended captions in Peter Osborne (ed.), Conceptual Art, London 2002, pp.53-189.
Entries in Catherine Kinley and Joanne Berstein (eds.), A Bigger Splash: British Art from Tate 1960-2003, exhibition catalogue, Pavilhão Lucas Nogueira Garcez-Oca and Instituto Tomie Ohtake, São Paulo 2003, pp.66, 86-8, 92-4, 113, 118-19, 125, 128, 132, 136, 142-8, 150, 153, 157, 169, 176-8, 184, 201, 204, 208, 217, 222, 240, 244-8, 255, 259, 268-70, 276-8, 281, 286, 291, 296-7, 302-3, 306-7, 311, 315, 318-9, 326.
191 short texts covering works by Auerbach, Blees Luxemburg, Bourgeois, Brown, Casebere, Caulfield, Chadwick, Coplans, Craig-Martin, Curtis, Doig, Essenhigh, Freud, Fulton, Gibbs, Gilbert & George, Graham, Gunning, Hamilton, Hirst, Hockney, Hoyland, Hume, Inventory, Jones, Kay, Kilpper, Kossoff, Landy, LeWitt, Long, Lucas, Milroy, Nauman, Opie (C), Opie (J), Patterson, Rae, Raedecker, Schneemann, Schuette, Schwarzkogler, Shaw, Sherman, Smith/Stewart, Smithson, Starkey, Tillmans, Twombly, Wall, Wallinger, Wearing, Webb, Whiteread and others, www.tate.org.uk.
'Name Culling', Art Monthly, no.264, March 2003, p.12.

Lectures:
'Body Language', on the occasion of exhibition of own work, Apparition: the Action of Appearing, Kettle's Yard, Cambridge, May 2003.

Nicola Moorby

Curatorial Department, Tate Collection

Publications:
Catalogue entries in Ian Warrell, Turner y el mar: acuarelas de la Tate, exhibition catalogue, Fundación Juan March, Madrid 2002, pp.44, 50, 74, 78, 102; and Ian Warrell, O Mare a luz: aguarelas de Turner na colecçäo da Tate, exhibition catalogue, Fundçäo Calouste Gulbenkian, Lisbon 2003, pp.37, 51, 77, 86, 105.
Catalogue entries for Camden Town Group catalogue on Pissarro, Lightfoot, Gosse, Drummond, Hudson, Sands, Bayes, Rutherston, Taylor and Sickert.

Current Projects:
Essay on Walter Sickert for Whitworth Art Gallery, Manchester (2004); entries on Sickert for Camden Town Group catalogue (2004); entries for Turner exhibition catalogue (2004-5).

Paul Moorhouse

Curatorial Department, Tate Collection

Publications:
Richard Long: Walking the Line, Lund Humphries, London 2002, 328pp.
'Bruce Bernard: A Painterly Sensibility', in Portraits of Painters: Photographs by Bruce Bernard, broadsheet, Tate Britain 2002, 16pp.
Edited Bridget Riley, exhibition catalogue, Tate Britain 2003, 244pp., including 'A Dialogue with Sensation: The Art of Bridget Riley', pp.11-26.
'Formal Situations: Abstraction in Britain 1960-1970', exhibition broadsheet, Tate Liverpool, 2003.
'The Intricacy of the Skein, The Complexity of the Web - Richard Long's Art', in Richard Long, exhibition catalogue, Kukje Gallery, Seoul, Korea, 2004.

Other:
Member of advisory panel for Apollo Magazine.

Current Projects:
Essay on Bridget Riley for MOCA, Sydney (2004); Anthony Caro exhibition, Tate Britain (2005); essay on John Virtue for National Gallery and Courtauld Gallery, London, touring to Yale Centre for British Art (2005); John Latham exhibition, Tate Britain (2005).

Gregor Muir

Curatorial Department, Tate Collection

Publications:
Edited with Clarrie Wallis, In-a-Gadda-da-Vida: Angus Fairhurst, Damien Hirst, Sarah Lucas, Tate Britain, 2004 112pp., including 'It Must Be a Camel (for Now)', pp.90-5.

Current Projects:
Exhibition Time Zones, Tate Modern (2004); film and video publication, Tate Publishing (2005).

Jennifer Mundy

Curatorial Department, Tate Collection

Publications:
'Quiet Mystery' [Dorothea Tanning], Tate, July 2003, pp.vi-viii.
'Eccesso, intensita e poesia: il Planet Set di Joseph Cornell e Giuditta Pasta', in Brera mai vista: Una virtuosa del bel canto ritratta da Giuseppe Moteni: Giuditta Pasta in Nina o sia la pazza per amore, exhibition catalogue, Pinacoteca di Brera, Milan 2004, pp.40-5. 10 short texts on Georges Braque, Man Ray and Dorothea Tanning, www.tate.org.uk.

Lectures:
'Surrealism and Love', Metropolitan Museum of Art, New York, April 2002.

Other:
Associate Director of The AHRB Research Centre for Studies of Surrealism and its Legacies; member of the Policy Committee of Centre for Research into the Arts, Social Sciences and Humanities, University of Cambridge; member of advisory committee of the Edward James Foundation; member of editorial board of Tate Papers.

Current Projects:
Editor of catalogue on Kahnweiler Gift, Tate Modern (2004); contributor to Salvador Dalí exhibition catalogue (2004); essay on biomorphism for book on art and science (2005); essay on biomorphism and design for Victoria and Albert Museum exhibition Surreal Things (2005); editor of translation of Claude Cahun's Aveux non Avenus, Tate Publishing; Man Ray/Duchamp exhibition, Tate Modern (2008).

Diane Perkins

Curatorial Department, Tate Collection

Publications:
40 catalogue entries for Michael Rosenthal and Martin Myrone (eds.), Gainsborough, exhibition catalogue, Tate Britain 2002.
'An Early Gainsborough Masterpiece: Thomas Gainsborough's Portrait of Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape', British Art in Focus: Patrons' Paper 5, Tate, London, 2002.
'Johan Zoffany's Children of Lord Bute', NACF Review 2002.
Short texts on Gainsborough and Zoffany www.tate.org.uk.

Lectures:
Gainsborough and various gallery talks, Tate Britain. 15 NADFAS lectures.

Martin Postle

Curatorial Department, Tate Collection

Publications:
Thomas Gainsborough, Tate Publishing, London 2002.
With Rica Jones, 'Gainsborough in his Painting-Room', in Martin Myrone and Mark Rosenthal (eds.), Gainsborough, exhibition catalogue, Tate Britain, 2002, pp.29-38.

Current Projects:
The Art of the Garden exhibition, Tate Britain (2004); Reynolds, exhibition, Ferrara (2004) and Tate Britain (2005).

Sean Rainbird

Curatorial Department, Tate Collection

Publications:
Naum Gabo. In Space and Time, exhibition catalogue, Tate St Ives, 2002.
'Are We as a Society Going to Carry on Treating People This Way?' Michael Landy's 'Scrapheap Services' 1995, Contemporary Art in Focus: Patrons' Papers 2, Tate, London 2002, pp.4-19.
'A Dangerous Passion: Max Beckmann's "Aerial Acrobats"', in Burlington Magazine, February 2003, pp.96-101. (Revised version published as 'Gefährliche Beziehungen. Max Beckmanns Luftakrobate', in Max Beckmann. Menschen am Meer, exhibition catalogue, Bucerius Kunst Forum, Hamburg 2003, pp.118-26.)
'Beckmann: A True Independent', in New Books in German, Spring 2003, p.30. 'Afterword', in Max Beckmann. On My Painting, London 2003, pp.23-40. Edited Max Beckmann, exhibition catalogue, Tate Modern, 2003, 288pp., including 'Images of the Times in Beckmann's Early Work', and A Gathering Storm: Max Beckmann and Cultural Politics 1925-38', pp.16-22,157-64.
'Past Battles Distant Echoes', in German Art Now, exhibition catalogue, St Louis Art Museum, 2003, pp.19-27.
Review: 'Otto Dix: Christian Schad, Paris and New York', Burlington Magazine, May 2003, pp.387-9.

Other:
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4

Current Projects:
Tyler Gift display and catalogue (2004); Joseph Beuys exhibition, Tate Modern (2005); Tacita Dean exhibition, St Ives (2005)

Kathryn Rattee

Curatorial Department, Tate Collection

Publications:
'Richard Billingham', 'Susan Hiller' and 'Dan Holdsworth' in Catherine Kinley and Joanne Berstein (eds.), A Bigger Splash: British Art from Tate 1960-2003, exhibition catalogue, Pavilhão Lucas Nogueira Garcez-Oca and Instituto Tomie Ohtake, São Paulo 2003, pp.173, 198, 238.
'Mike Marshall' in Judith Nesbitt and Jonathan Watkins (eds.), Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003, exhibition catalogue, Tate Britain 2003, p.106.
'Women and Work' in Self Evident: the Artist as Subject, exhibition broadsheet, Tate Britain 2002, p.8.

Current Projects:
Entries for Tyler Gift catalogue (2004).

Rachel Taylor

Curatorial Department, Tate Collection

Publications:
90 short texts on Cecily Brown, Don Brown, Ian Davenport, Tracey Emin, Helmut Federle, Michael Finn, Rose Finn-Kelcey, Peter Fischli & David Weiss, Andreas Gursky, Mona Hatoum, Dan Hays, Matthew Higgs, Dan Holdsworth, Pierre Huyghe, Gareth Jones, Ilya Kabakov, Alex Katz, Scott King, Jochen Klein, Michael Landy, Hilary Lloyd, Barry Martin, Paul McCarthy, Bill Meyer, Shirin Neshat, Lucia Nogueira, Martin Parr, David Rayson, Paula Rego, Bridget Riley, Pipilotti Rist, Giorgio Sadotti, Yinka Shonibare, Kiki Smith, Christine Sullivan, Tomoko Takahashi, Sam Taylor-Wood, John Virtue, Elizabeth Wright, Cerith Wyn Evans www.tate.org.uk.
Review: 'Langlands & Bell, The House of Osama Bin Laden', in Contemporary, no.52, 2003, pp.69-70.
Review: 'Bettina von Zwehl, Rain', in Photoworks Magazine, Autumn/Winter 2003, p.49.
Review: 'XXX: The Power of Sex in Contemporary Design written and designed by Plazm', in Eye: the international review of graphic design, no.50, Winter 2003, pp.84-5.

Toby Treves

Curatorial Department, Tate Collection

Publications:
'Ralph Rumney', Art Monthly, April 2002, no.255, p.19.
Henry Moore and Public Sculpture, exhibition leaflet and postcard box set, Tate Modern, 2003, 20pp.
'Gisha Koenig', in Penelope Curtis (ed.), Sculpture in 20th-Century Britain. Volume 2: A Guide to the Sculptors in the Leeds Collections, Henry Moore Institute, Leeds 2003, pp.196-7.
Bronze Casting, DVD, Zuleika Kingdon Productions, Islip, Oxfordshire, 2003, 18 mins. Kenneth Armitage: Pandarus (version 8), British Art in Focus: Patrons' Paper, Tate, London 2004, 24pp.

Current Projects:
Contributor to Art & the 60s: This Was Tomorrow exhibition catalogue, Tate Britain (2004).

Robert Upstone

Curatorial Department, Tate Collection

Publications:
The Pre-Raphaelite Dream: Paintings and Drawings from the Tate Collection, exhibition catalogue, Art Gallery of Western Australia, Perth, Dunedin Public Art Gallery, and Frist Centre for the Visual Arts, Nashville 2003, 192pp.
Entries in A Private Passion: 19th-Century Paintings and Drawings from the Greville Winthrop Collection, exhibition catalogue, Metropolitan Museum of Art, New York, and National Gallery, London, 2003.
Entries in Obras Maestras de la Colección Museo Lázaro Galdiano, exhibition catalogue, Fundación Santader Central Hispano, Madrid, 2003.
Entries in Grandes Maestros del Museo Lázaro Galdiano, exhibition catalogue, Fundación Pedro Barrié de la Maza, La Coruña, 2003.
'Sado-Masochism and Synasthaesia: Aubrey Beardsley's "Frontispiece to Chopin's Third Ballade"', Burlington Magazine, July 2003, pp.510-5.

Lectures:
'Impressionist Adventures: John William Waterhouse's The Lady of Shalott', Waterhouse conference, Tate Britain, October 2002.
'Hanky Spanky: Sado-masochism, Synasthaesia and Narcicism in Aubrey Beardsley's Frontispiece to Chopin's "Third Ballade"', Esher Art Society, June 2003.
'Prisons, Sugar Cubes and Power Stations: A History of the Tate', Art Gallery of Western Australia, Perth, July 2003, and Dunedin Public Art Gallery, New Zealand, October 2003.

Other:
Co-organiser of John William Waterhouse conference, Tate Britain, October 2002.

Current Projects:
Essay and catalogue entries on works by the Camden Town Group in the Tate collection; exhibition William Orpen: Sex, Politics and Death, Imperial War Museum, London and National Gallery of Ireland, Dublin (2005); exhibition The New Sculpture, Royal Academy, London.

Ian Warrell

Curatorial Department, Tate Collection

Publications:
'Petworth Revisited: Turner's Paintings for the Carved Room, and his Other Country House Subjects', in Turner at Petworth, exhibition catalogue, Petworth House, Petworth, West Sussex, 2002, pp.42-63.
Turner: Reflections of Sea and Light, Tate website on-line exhibition in conjunction with the exhibition at Baltimore Museum of Art, 2002. Turner et le Lorrain, exhibition catalogue, Musée des Beaux-Arts de Nancy, 2002, 200pp.
Turner y el Mar: Acuarelas de la Tate, exhibition catalogue, Fundación Juan, March 2002, 144pp.
With Paul Vert, 'Turner et Claude: Un Dialogue à travers deux siècles', Péristyles: Cahiers des Amis du Musée des Beaux-Arts de Nancy, vol.20, December 2002, pp.5-18.
O Mar e a Luz. Aguarelas de Turner na colecção da Tate, exhibition catalogue, Museu Calouste Gulbenkian, 2003, 158pp.
Turner and Venice, exhibition catalogue, Tate Britain 2003; Fort Worth 2004, 280pp. Entries in Allen Staley and Christopher Newall (eds.), Pre-Raphaelite Vision: Truth to Nature, exhibition catalogue, Tate Britain, 2003.
'Exploring the "Dark Side". Ruskin and the Problem of Turner's Erotica', British Art Journal, vol.IV, no.1, Spring 2003, pp.5-14.
'A Checklist of Erotic Sketches in the Turner Bequest', British Art Journal, vol.IV, no.1, Spring 2003, pp.15-46.
'Curator's Choice: Turner', Tate. Arts and Culture, November/December 2003, pp.VI-VII.

Lectures:
'Turner and Venice', Tate Britain, 2003. 'Home and Abroad: Turner the Traveller', National Galleries of Scotland, Edinburgh, 2004. 'Why Venice?', Turner and Venice symposium, Kimbell Art Museum, Fort Worth, 2004.
'Hanging Turner: How the Gradual Presentation of Turner's Unfinished Pictures Changed Perceptions of the Artist', 2004 Pantzer Lecture, National Gallery

Other:
Turner Worldwide: provided the core information and oversaw the delivery of this on-line catalogue of all known images by Turner outside the Tate collection 2002-3.

Current Projects:
Contributor to catalogue of Turner-Whistler-Monet (2004); Turner and Venice exhibition tour to Museo Correr, Venice and Caixa Forum, Barcelona (2004-5); organiser of Turner exhibition for National Gallery of Art, Washington D.C. and tour (2005-6).