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All Tate Reports Tate Report 06/07

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  • Marlene Dumas b1953
  • Lucy 2004
  • Oil on canvas
  • 1100 x 1300mm
  • Purchased from Frith Street Gallery with assistance from Foundation Dutch Artworks and Bank Giro Loterij 2007
  • Tate © Marlene Dumas
  • T12313
  • View work within Tate Collection
Marlene Dumas, Lucy

Tate © Marlene Dumas

Marlene Dumas is known for her reinterpretation of found images, and has stated that she employs 'second-hand images and first-hand emotions'. Stern and Lucy are both based on the death image of an historical woman: the first, the German Red Army Faction terrorist Ulrike Meinhof; the second, the martyred saint in Michelangelo Merisi da Caravaggio's The Burial of St Lucy 1608. Dumas decontextualises both portraits, showing them in extreme close-up and translating them into ambiguous, unsettling images which suggest both ecstatic sexual charge and the taut pallor of death. In doing so, the artist explores the desire to visually consume, provocatively confronting the viewer and creating the potential for multiple readings of her works.

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