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Jane Burton

Interpretation and Education, Tate Modern

Publications:
'Tate Modern Multimedia Tour Pilots 2002-3', in Attewell and Savill-Smith (eds.), Learning with Mobile Devices, LSDA, London 2004, pp.127-30.

Lectures:
'Enhancing Interpretation: Techniques and Technologies and the Museum Experience', King's College, London, March 2002.
'Experience and Interpretation', Open University and Tate Modern, October 2002.
'Delivering Location Based Content to Handhelds', Becta Expert Technology Seminar, British Library, June 2003.
'Artistic Education and the Public', ARCO, Madrid, February 2004.

Other:
Taught on Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4; and History of Art MA course, Christie's, London, 2002-3, 2003-4.

Current projects:
Tate Modern Multimedia Tour - Phase 3 Pilot.

Stuart Corner

Interpretation and Education, Tate Modern

Publications:
'Swetlana Heger: Capitalist Neo-Realism', Parkett, no.69, December 2003, pp.142-52.
'Lost in Space: Robert Overby', Art Review, May 2004.

Helen Charman

Interpretation and Education, Tate Modern

Publications:
Co-author, Tate Modern Teachers' Kit (second edition) 2002.
Co-author Eva Hesse Teachers' Kit, Tate Modern 2002.
'Contemporarytastic - Art Now in the Classroom', TES Teacher, October 2002.

Other:
Tate Modern Schools Programme 2002; MA Fine Art, Wimbledon School of Art, August 2002, 2003.
Co-organiser The Persistence of Vision conference, Tate Modern with bfi education, Spring 2003.
Teaching on MA module Contemporary Art, Pedagogy and Identity, Goldsmiths College, London, January-April 2004.

Current projects:
'Meaning Making, Contemporary Art and the Community of Enquiry', iJADE; 'The Artist Educator as "Fellow Traveller"', Reader in Museums, Galleries and New Audiences, Leicester University.

Jemima Montagu

Interpretation and Education, Tate Modern

Publications:
'Urgent Painting', frieze, issue 66, April 2002, pp.88-9.
'Palais de Tokyo' frieze, issue 67, June 2002.
'It Shall Be Inventoried', sexymachinery 05, issue 3, Summer 2002, pp.5-6.
With Kira Joliffe, 'Interview with Lewis Biggs', The Independent Eye, Liverpool Biennial magazine, September 2002.
'John Moores Painting Prize', Modern Painters, Spring 2003.
Sigmar Polke, exhibition leaflet, Tate Modern, September 2003, 16pp.
'John Currin', Modern Painters, vol.16, no.4, Winter 2003, pp.118-19.
Edited Paul Nash. Modern Artist, Ancient Landscape, Tate Publishing 2003, 128pp., including 'Modern Artist, Ancient Landscape', pp.9-21.
Jerwood Artist's Platform: Graham Hudson, Jerwood, February 2004.
With Simon Bolitho and Helen Sainsbury, Donald Judd, exhibition leaflet, Tate Modern, February 2004, 16pp.
Jorge Lewinski, Sotheby's/Chatsworth 2004.

Lectures:
Chair of Paul Nash Symposium: Britishness: Identity and Landscape, Tate Liverpool, October 2003.
'Interpretation at Tate Modern', 'Contemporary Art and the Museum', Sotheby's diploma course.
'Interpretation at Tate Modern', 'History and Theory of the Modern Art Museum 1750-Present', MA degree course, Courtauld Institute of Art, London

Other:
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2003-4.

Current projects:
Markus Vater (2004); Simon Morley, Taguchi Fine Art, Tokyo (2004).

Dominic Willsdon

Interpretation and Education, Tate Modern

Lectures:
'Overcoming Excellence', Association of Art Historians conference, April 2003.

Other:
Co-organised conference Photography and the Limits of the Document, Tate Modern, London, June 2003.
Organised with Arnd Schneider and Chris Wright conference Fieldworks: Dialogues Between Art and Anthropology, Tate Modern, September 2003.
External assessor for Criticism, Curation and Communication, BA (Hons.), Central St Martins College of Art and Design, London.
Course tutor for MA Curating Contemporary Art, Royal College of Art, London and for Intellectuals, Professionals and Museums, with Philip Dodd, London Consortium Mres. programme.
PhD supervisor, London Consortium.
Member of the steering committee of the London Consortium; member of editorial board of Tate Papers.

Current projects:
Lecture 'Contemporary Art: Its Institutions and the Public Sphere' for Rediscovering Aesthetics conference, University College Cork (2004); book with Doreen Massey, Nature Space Society.