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Juliet Bingham

Exhibitions and Displays, Tate Modern

Publications:
'Shez Dawood: Art Commission', Sleaze, March 2004.

Other:
Senior Editor (Arts) of Sleaze magazine, London, from October 2003.

Current projects:
Articles 'Odelay! It's Time for Beck's Futures', 'Art Commission: Muntean/Rosenblum', 'Art Commission: John Russell', 'Art Commission: Olivia Plender', for Sleaze (2004).

Ben Borthwick

Exhibitions and Displays, Tate Modern

Publications:
7 short texts on Fiona Banner, Adam Chodzko, Martin Creed, Dexter Dalwood, Oyvind Fahlstrom, Sarah Morris and Cerith wyn Evans, www.tate.org.uk.
'The Perfect Strom: Carsten Nicolai and Raster Noton', The Wire, no.238, December 2003.
'Timelag Accumulators: Dan Graham, Anne Katrine Dolven & Knut Asdam', in The Story of the Eye, exhibition catalogue, Mead Gallery, University of Warwick, Coventry 2004.
'Drawing on the City', in Simon Sheikh (ed.), Knut Asdam, Fine Arts Unterhenem, Berlin 2004.

Current projects:
Sound/Surface, event co-organised with Stuart Comer, including a paper presented by sound critic Philip Sherburne and performances by sound artist Stephen Vitiello and musician Scanner, for Tate Modern, London (April 2004); Bruce Nauman, Turbine Hall Commission, Tate Modern (2004); reviews for The Wire.

Ann Coxon

Exhibitions and Displays, Tate Modern

Publications:
Review: 'Warm Seas', Book Works, Untitled Magazine, Spring 2002.

Lectures:
Artist and curator talk with Sutapa Biswas for 'Raw Canvas', Tate Modern, April 2003.

Other:
Taught on Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4

Current projects:
Exhibition at Tate Modern: Robert Frank: Storylines (2004); exhibition Interweaving Cultures: Five Contemporary Artists, Jim Thompson Thai House and Museum, Bangkok, December 2004.

Donna de Salvo

Exhibitions and Displays, Tate Modern

Publications:
'Afterimage', in Heiner Bastian (ed.), Warhol, exhibition catalogue, Neue Nationagalerie, Berlin and Tate Modern, London 2002.
'Andy Warhol: Drawing Us In', in Andy Warhol: Private Drawings from the 1950s, exhibition catalogue, Verlag der Buchhandlung Walter König, Köln 2003.
'Dreamland: The Drawings of Simon Faithful', in Dreamland: Simon Faithful, exhibition leaflet, Turner Centre for the Arts, Margate 2003.
'Inner and Outerspace: Lee Bontecou's Sculpture Through Drawing', in Elizabeth A. T. Smith (ed.), Lee Bontecou: A Retrospective of Sculpture and Drawing, 1958-2000, exhibition catalogue, New York 2003.
Anish Kapoor: Marsyas, exhibition catalogue, Tate Modern, 2003.
'Upside Down and Right Side Up: Charlotte Gyllenhammar's Vertigo', in Charlotte Gyllenhammar, exhibition catalogue, Kulturhuset, Stockholm 2004.

Lectures:
'Ann Hamilton and Charlotte Gyllenhammar', Wänas Foundation, Wänas, Sweden 2002.
'The Modern/Post Modern Dialectic in American Art', online symposium moderated by Maurice Berger for the Georgia O'Keefe Museum, Santa Fe 2002.
'Lee Bontecou and Contemporary Art', panel moderated by Mona Hadler, The Museum of Contemporary Art, Chicago 2003.
'Philip Guston: The Figurative Abstract', Royal Academy of Art, London, 2003.
'Museums of Tomorrow', online symposium moderated by Maurice Berger, Georgia O'Keefe Museum, Santa Fe 2003.
'Anish Kapoor: The Technological Sublime', a conversation with Anish Kapoor, Kunsthaus Bregenz, Bregenz, Austria, 2003.

Other:
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4

Current projects:
Exhibition at Tate Modern: Open Systems (2005).

Emma Dexter

Exhibitions and Displays, Tate Modern

Publications:
Edited with Thomas Weski, Cruel and Tender, exhibition catalogue, Tate Modern, London 2003, 287pp., including 'Photography Itself', pp.15-21.
'The Lake Piece: To See Everything for the First Time', in Bethan Huws: Selected Textual Works 1991-2003, exhibition catalogue, Kunsthalle Düsseldorf 2003.
'Marlene Dumas in Venice', Modern Painters, Autumn 2003.
Edited with Julien Heynen, Luc Tuymans, exhibition catalogue, Tate Modern, 2004, 129pp., including 'The Interconnectedness of All Things: Between History, Still Life and the Uncanny', pp.16-27.

Lectures:
'Cruel and Tender', University of Brighton, November 2003; Goldsmiths College, London 2004; De Montford University, Leicester, March 2004.
'Post-Colonialism and Visual Culture', Sussex University, Brighton, March 2004.

Other:
Jury member for Present Future: Young Artists and Galleries Award, Artissima, Turin (2003, 2004).
Visiting Lecturer for Curating course, Department of Fine Art, Goldsmiths College, London; selector of Arrivals exhibition, Pump House Gallery, Battersea (2004).

Current projects:
Exhibitions at Tate Modern: Bruce Nauman, Turbine Hall Commission (2004), Frida Kahlo (2005), Pierre Huyghe (2006); group drawing exhibition for Untitled series (2005).

Vincent Honoré

Exhibitions and Displays, Tate Modern

Current projects:
Exhibitions at Tate Modern: Mohamed Camara (2004); August Strindberg (2005); Jeff Wall (2005); Pierre Huyghe (2006); Louise Bourgeois (2007); essay on Stéphane Sautour (2004).

Susan May

Exhibitions and Displays, Tate Modern

Publications:
Edited The Weather Project: Olafur Eliasson, exhibition catalogue, Tate Modern, London 2003, including 'Metereologica', pp.15-28.
The Weather Project: Olafur Eliasson, exhibition leaflet, Tate Modern, London 2003, 8pp.
Untitled: Elmgreen and Dragset, exhibition guide, Tate Modern, London 2004, 4pp.
Short text on Olafur Eliasson, www.tate.org.uk.

Lectures:
Lecture series on Tate (collection, programme, buildings), Antorchas Foundation and British Council, Buenos Aires and Rosario, Argentina, May 2003.
'Juan Muñoz and Olafur Eliasson', Department of Architecture, University of Westminster, March 2004.

Other:
Member of the More London Public Art Committee (2002-3), City Hall, London.

Current projects:
Exhibition programme and book Untitled: Exploring New Ideas in Contemporary Art; The Weather Project Post-Script: Olafur Eliasson, publication on critical and public response to Eliasson's work at Tate Modern, Köln (2004); article 'The Weather Project', in Curator: The Museum Journal, California Academy of Sciences and AltaMira Press; Untitled, exhibition series at Tate Modern (2004-5).

Jessica Morgan

Exhibitions and Displays, Tate Modern

Publications:
'Olafur Eliasson: Gartensozialismus', Parkett, 64, 2002.
Edited Common Wealth, exhibition catalogue, Tate Modern, 2003, 126pp., including 'Introduction', interview with Gabriel Orozco, and with Carsten Holler pp.15-33, 43-9, 67-76.
'Representation to Production: Art as Social Critique', in Supernova: Art of the 1990s from the Logan Collection, exhibition catalogue, San Francisco Museum of Modern Art, San Francisco 2003.
Pulse: Art, Healing and Transformation, exhibition catalogue, Institute of Contemporary Art, Boston, 2003.
'Un-America but Post-British, Just Love Me', in Post/Feminist Positions of the 1990s in the Goetz Collection, exhibition catalogue, Walther Konig, Köln 2003.
'Gabriel Orozco', ArtReview, December/January 2004.
'Introduction', in VBV, exhibition catalogue, Institute of Contemporary Art, Boston 2004.

Current projects:
Exhibitions at Tate Modern: Time Zones (2004), Untitled 2 (2005-6), Kippenberger (2006).

Frances Morris

Exhibitions and Displays, Tate Modern

Publications:
'Neue Architecktur-Neue Kunst-Geschichtsperspecktiven', in Kunst des Ausstellens: Beotrage, Statements, Diskusionen, Hatje Cantz Verlag, Ostfildern 2002.
'Hollow Dreams', in Blockhead and Daddies Bighead: Paul McCarthy at Tate Modern, exhibition catalogue, Tate Modern, 2003.
Louise Bourgeois, exhibition catalogue, Irish Museum of Modern Art, Dublin 2003-4, Fruitmarket Gallery, Edinburgh, 2004 and CAC, Malaga 2004.

Lectures:
Curatorial Skills Masterclass series, Fulbright New Zealand and The British Council, Christchurch, Auckland and Wellington, New Zealand, March 2002.
'Polyphony of Voices', Krakow, Poland, October 2002.
'Is the Artist Truly Independent?', Camberwell College of Arts, London, July 2003.
'Louise Bourgeois', Trinity College, Dublin, November 2003.
'Back to the Future', Pushkin Museum Moscow, ICA Moscow, February 2004.

Other:
Head of Tate component for Curating Contemporary Art MA course, Royal College of Art and Tate Modern 2002-3, 2003-4

Current projects:
Exhibitions at Tate Modern: Henri Rousseau (2005), David Smith (2006) and Louise Bourgeois (2007); monograph Louise Bourgeois for Tate Publishing (2005); History of Museum Display, Tate Handbook (2006).

Helen Sainsbury

Exhibitions and Displays, Tate Modern

Current projects:
Exhibition at Tate Modern: August Strindberg, (2005).

Sheena Wagstaff

Exhibitions and Displays, Tate Modern

Publications:
'The Changing Room', in Olafur Eliasson: The Blind Pavilion, Venice 2003.
'Weltering in Blood - Artemisia Gentileschi (1593-1653)', Parkett, 65, 2002, pp.94-196.
'Interview with Robert Ryman on Barnett Newman', Tate Magazine, September/October 2002, pp.85-6.

Current projects:
Exhibitions at Tate Modern: Edward Hopper (2004); Jeff Wall (2005).

Catherine Wood

Exhibitions and Displays, Tate Modern

Publications:
'The Measure of All Things', in Another Zero, exhibition catalogue, GAMEC, Bergamo, Italy, March 2004.
'Pasty Thighs and Moldy Midriffs: The Art of Jack Smith', Untitled Magazine, Spring 2004.
Review: 'Let Me Entertain You' [Michael Clark], Afterall, 9, Spring 2004.

Current projects:
Essay 'Paper Dolls: The Found Model in Contemporary Art', for Models and Supermodels: The Artist's Model from Hogarth to the Present, Manchester University Press (publication pending); review 'Horror Vacui', on Mark Leckey's Parade, Parkett, (2004); review of David Thorpe exhibition at Meyer Reiger, Karlsruhe, Germany, Frieze, (2004)