CHOOSE A SECTION...

Laura Britton

Exhibitions and Displays, Tate Liverpool

Lecture:
'Pleasure Lands: Re-Reading Duncan Grant', Pallant House Gallery, Chichester, November 2003.

Other:
Organised conference The Uncanny Day, in collaboration with Centre for Research in the Arts, Social Sciences and Humanities, University of Cambridge, March 2004.
Lecturer at Liverpool University School of Continuing Education.
Associate lecturer for The Open University.
Manager of University Network MA modules, the Politics of Location and Curating the Contemporary.

Current projects:
Research paper on academic provision at Tate Liverpool in association with the Adult Community Department, Institute of Education; contribution to International 2004, Liverpool Biennial exhibition catalogue (2004); research paper on 'Alternative Histories in the Tate's Archive: Vanessa Bell's Domestic Photography'; essay 'A Changed Experience of Space: Wolfgang Winter and Berthold Hörbelt' in Jonathan Harris (ed.), Art, Money, Parties, Critical Forum: Tate Liverpool and Liverpool University Press (2004).

Vicky Charnock

Education and Visitor Programmes, Tate Liverpool

Publications:
Pin Up: Celebrity and Glamour Since the Sixties, display leaflet, Tate Liverpool, 2002.
Kara Walker: Grub for Sharks, exhibition leaflet, Tate Liverpool, 2004.

Lectures:
'Methods in Gallery Education: Ideologies in Action', Art Artists Conference, London Institute, June 2002.
'Towards a Diversity Strategy', Making Connections seminar, Harris Museum, Preston, February 2003.

Current projects:
Seeing is Believing: Faith in the Tate Collection, display and leaflet, 2004; Introduction to Modern Art, resource pack for prison sector produced in collaboration with HMP Liverpool through Art in Prisons Programme, Open College Network.

Adrian George

Exhibitions and Displays, Tate Liverpool

Publications:
Edited Art, Lies and Videotape: Exposing Performance, exhibition catalogue, Tate Liverpool, 2003, 100pp
Kara Walker: Grub for Sharks, exhibition leaflet, Tate Liverpool, 2003.
Thomas Ruff: 1979 to the Present, exhibition leaflet, Tate Liverpool, 2003.
Rut Blees Luxemburg: Phantom, exhibition leaflet, Tate Liverpool, 2003.

Lectures:
'What is a Curator?', Metropolitan Borough of Wirral Art and Design Conference, Tate Liverpool, September 2002.
'Presenting Performance', Christie's Education, London, June 2003.
'Art, Lies and Videotape', Christie's Education, London, November 2003.
Convened 'Rose Lee Goldberg and Babette Mangolte in Conversation', Tate Liverpool, November 2003.
'Imaging the Body: Disability and Performance', Imaging the Body seminar, Tate Liverpool, November 2003.
'Contemporary Curatorial Practice', John Moores University, Liverpool, February 2004.
'Creativity', Rolls Royce Apprenticeship Scheme, Derby, March 2004.

Other:
Member of the Board of Trustees of Merseyside Dance Initiative.

Current projects:
Exhibition International 2004 Liverpool Biennial (2004); display and leaflet Seeing is Believing: Faith in the Tate Collection (2004); contribution to exhibition catalogue Summer of Love: Art in the Psychedelic Era (2005); essay for book Staging Contemporary Art: Materials of Expression and Authorship in Contemporary Art since 1945 (working title) (2004-5); Yoko Ono, Tate Publishing (2005).

Simon Groom

Exhibitions and Displays, Tate Liverpool

Publications:
'Introduction', in When We Were Young, exhibition catalogue, Liverpool School of Art, Liverpool, September 2003, 8pp.
Text for Anyway, comic book, Alberta Press, London, 2003, pp.10-11.

Lectures:
'Portraiture as Biography in Contemporary Art', Biographical Knowledge conference, Centre for Research in the Arts, Social Sciences and Humanities, University of Cambridge, Cambridge, April 2003.
'Art Now', Fondazione Olivetti, Rome, November 2003.

Current projects:
Curator and editor of A Secret History of Clay: from Gauguin to Gormley, exhibition catalogue, Tate Liverpool (2004); review of Shards: Selected Writings on Ceramic Art by Garth Clark, 2003, for Crafts Council, London; 'A Secret History of Clay: from Gauguin to Gormley', Keramik Magazin, no.3 (June/July 2004); lecture 'What Significance has Ceramics in Today's Art?', Renewing Ceramics, International Congress, Selb, Germany (2004).

Christoph Grunenberg

Tate Liverpool

Publications:
"Life in a Dead Circus: The Spectacle of the Real," in Christoph Grunenberg (ed.), Mike Kelley: The Uncanny. Cologne: Walther König Publisher, 2004.
"Foreword" in Simon Groom (Ed.) A Secret History of Clay: From Gauguin to Gormley. Tate Liverpool, 2004 "Wonderland: Spectacles of Display from the Bon Marché to the Bauhaus," Lotus International, no. 118, pp.78-89, 2003.
"Foreword" in Adrian George (Ed.) Art, Lies and Videotapes: Exposing Performance. Tate Liverpool 2003.
"Foreword" in Jemima Montagu (Ed.) Paul Nash: Modern Artist, Ancient Landscape. Tate Liverpool 2003.
"'Eines Tages werden dies alles Museen sein.' Tate Liverpool: Vom industriellen Niedergang zur urbanen Regeneration", in Symposium 'public space - public art': Schnittstelle Museum, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 2003, pp.30-41.
(Ed. with Max Hollein), Shopping: A Century of Art and Consumer Culture, exh. cat and 'Wonderland: Spectacles of Display from the Bon Marché to Prada'; 'The American Supermarket'. Hatje Cantz: Frankfurt and Liverpool, 2002, pp.17-37, 171-177.
'Out of Control' and contributions on Chiho Aoshima, Clare Langan, Jorge Pardo, Jason Rhoades, Fred Tomaselli and Francesco Vezzoli in International 2002, exh. cat., Liverpool Biennial of Contemporary Art, 2002, pp.27-28.
(Ed. with Victoria Pomery), Marc Quinn, Tate Liverpool, 2002.

Lectures:
"Skinned Alive: Material Abuse in the White Cube," Symposium The Work of Glen Seator. Getty Research Institute, Los Angeles September 2002.
"Lead Us Into Temptation: Spectacles of Consumption and Art", Friends of the Courtauld Institute of Art, London, January 2003.
"Andy Warhol: Celebrity and Death", National Arts Collection Fund North West, Bolesworth Castle, Cheshire, May 2002

Other:
Panel Member on 'Better by Design' at The City Centre Conference, Liverpool, November 2003.
Panel discussion "Wem gehört das Museum? Das Museum als Handlungsort," XXVII. Deutscher Kunsthistorikertag, Leipzig, March 2003.
Speaker at Prospect Manchester Debate, December 2002.
Panel Member on 'Exporting Cultural Expertise' part of Cultural Impact: The International Conference on Culture and Tourism, Liverpool, July 2002.
Judge Artworks Awards, April 2003 and 2004

Current Projects:
"Love Parade," in John M. Armleder: Catalogue Raisonné of the Wall Paintings. Zurich: Pury & Luxembourg, 2004 (forthcoming).
(Co-Ed.) Glen Seator: Making Things, Moving Place. Göttingen: Steidl, 2007

Laurence Sillars

Exhibitions and Displays, Tate Liverpool

Publications:
With Jemima Montagu, 'Chronology', in Jeminma Montagu (ed.), Paul Nash: Modern Artist, Ancient Landscape, exhibition catalogue, Tate Liverpool 2003, pp.113-19.

Current projects:
Text for Rhinegold: Art for Cologne, exhibition guide, Tate Liverpool (2004), 16pp.

Lectures:
'Mike Kelley: The Uncanny', University Network MA 'Curating the Contemporary', 2004.
'Contemporary Curatorial Practice', Liverpool John Moore's Fine Art Department, 2004.