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Since the early 1970s, Bill Viola has worked in video and has been instrumental in establishing the medium as a vital form of contemporary art. In the light of his interest in Islamic Sufism, Christian mysticism and Zen Buddhism, Viola addresses themes connected to the universal experiences of birth, death, and the unfolding of consciousness. Five Angels for the Millennium is typical of the artist's highly-compelling installations in which the viewer is immersed. Here, in a completely darkened space, five largescale projections show figures in slow motion descending and ascending into and out of water. The accompanying soundtrack rises in a crescendo as figures erupt through glistening pools.


Bill Viola

born 1951
Five Angels for the Millennium (detail)
2001

Five screen video installation, colour, audio track; unsynchronised loops:
Departing Angel 9 min, Birth Angel 7 min 45 sec, Fire Angel 13 min 10 sec, Ascending Angel 9 min 20 sec, Creation Angel 11 min 30 sec
Purchased from Anthony d'Offay Gallery jointly with the Whitney Museum of American Art, New York, courtesy of Leonard Lauder; the Centre Pompidou, Paris, courtesy of Lily Safra; and Tate, courtesy of Lynn Forester de Rothschild 2003 T11805