Press Office: Press Releases
Gwyn Hanssen Pigott Caravan
Friday 21 May – Sunday 26 September 2004
Admission Free with gallery admission
Opening hours: March – October: Daily 10.00-17.20, last admission 17.00
November – February: Tuesday – Sunday 10.00-16.20, last admission 16.00
Closed 24, 25, 26 December
Public information number: 01736 796226.
Public information URL: http://www.tate.org.uk/stives/exhibitions/gwyn-hanssen-pigott/default.shtm
Press release: 14 May 2004
“A silent line of porcelain beakers waits in a window for the light to hit their rims and their ordinary beauty to become radiant.” - Gwyn Hanssen Pigott, Catalogue of Ideas, 1996
Caravan is the first major touring exhibition by this Australian artist in the UK. Gwyn Hanssen Pigott is one of Australia’s most successful ceramic artists, with a career spanning over forty years. She is renowned for the abstract simplicity of her meditative, off-white porcelain pots, arranged in close groupings; which can be seen both as metaphors and as ordinary everyday objects. Gwyn Hanssen Pigott Caravan opens to the public 20 May 2004 before touring to Farnham Craft Study Centre and The Gallery, Ruthin Craft Centre.
Born 1935 in Ballarat, Victoria, she came to England in 1958 and worked with Bernard Leach and Michael Cardew, afterwards working in London and France, before setting up her pottery in Australia. Inspired by the work of modernist potters Bernard Leach and Hans Coper, as well as the still-life paintings of Giorgio Morandi, since the 1980s she has evolved ‘inseparable’ groups of translucent porcelain forms, which create a dynamic with one another and the viewer. For Tate St Ives, she will be creating an extraordinary 55’ still-life installation, where the physical and psychological potential of the pot is expressed to its fullest potential.
Hanssen Pigott pares down and simplifies the everyday shapes of daily life; the jugs, bowls, cups, bottles and teapots. The shapes gently open or swell like flowers or plants, and are glazed in a restrained palette, in harmony with forms that are at once both delicate and robust. The groupings are arranged in long linear processions, in groups which range from seven to twenty-one pieces, and convey a powerful sense of the tribe or family. The titles can be suggestive of travel; Caravan 2, Blue Travellers, Wave and Trail with Blue Bowl are evocative, not only of passage, but also purpose.
A illustrated catalogue with an essay by writer, critic and potter Emmanuel Cooper highlights the work of this significant potter (price £8.95). Available from the gallery shop.
You can also see Gwyn Hanssen Pigott’s work at Galerie Besson, 15 Royal Arcade, 28 Old Bond St, London W1S 4SP from 2 until
30 June 2004.
Notes to Editors
For further information, please contact Arwen Fitch, Press Officer
Call 01736 791121
Email arwen.fitch@tate.org.uk
