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Press Office: Press Releases

2001 | Tate Modern

Tate Modern, May 2000 - May 2001

A summary of the first year

Press release: 11 May 2001

Visitor figures

Tate Modern has had 5.25 million visitors in its first year, making the new gallery the most popular modern art museum in the world. Tate Modern is the third most popular tourist attraction in Britain, after the British Museum (5.7 million) and the Millennium Dome (6.5 million).

International modern art museum attendances for last year:

Tate Modern 5.25 million
Pompidou Centre Paris 5.2 million
(of which 1.7 million visited the gallery)
MoMA, New York 1.2 million
Guggenheim Bilbao 0.9 million
Guggenheim NY 0.9 million
San Francisco MoMA 0.7 million

Education programme figures:

Other figures:

Displays and Exhibitions

Tate Modern: Collection 2001

Tate Modern: Collection 2001, sponsored by BT, has provided the opportunity for regular visitors to see many different works from the Collection, including several new acquisitions and loans, in the free, permanent collection suites. Over thirty room displays have been changed in the first year, demonstrating Tate's commitment to increased access to the Collection. The second year of changing displays also introduces Contemporary Intervention, a new annual series in which artists are invited to propose projects which explore the role and history of the museum.

Tate Audios

There are now four different Tate Audios available, including a children's tour narrated by Michael Rosenberg, and a tour for the visually impaired. All of these are sponsored by Bloomberg.

Performing Bodies

In October 2000 a four-week series of art film screenings in the Turbine Hall was critically acclaimed and popular with the public. Performing Bodies, on Monday evenings, looked at the use of film and video in performance work and drew up to 1,500 people on its last evening.

Century City: Art and Culture in the Modern Metropolis

Century City: Art and Culture in the Modern Metropolis, sponsored by
CGNU plc, opened on 1 February. It brought artists from Bombay and Lagos to a British audience for the first time and examined a wide range of cultural activity from the visual arts to literature and popular music. In doing so, it firmly established some of the aims behind the curatorial programme and ambitions at Tate Modern - to be more global and to look more widely at art and culture. Over 100,000 people visited the exhibition.

Future exhibitions

The wide scope and range of the exhibition programme at Tate Modern will be demonstrated over the coming year. Exhibitions for spring and summer include the first ever retrospective of Arte Povera in this country and the second commission in The Unilever Series, which is being undertaken by the Spanish artist Juan Munoz. This succeeds the Louise Bourgeois commissions in the Turbine Hall. A major exhibition of Surrealism, based around the theme of desire, and the first exhibition in a public gallery in Britain of the work of the contemporary, German, artist Katharina Fristch are both planned for the autumn.

Education Programme

Tate Modern's wide-ranging education programme has had a huge following. Over 100,000 school children have visited, over 52,000 visitors have attended free gallery talks, 11,400 visitors have attended ticketed events and 9,800 visitors have taken part in the family workshops.

Schools Programme

In addition to fulfilling requirements of the National Curriculum and encouraging the expansion of classroom practice, the Schools Programme aims to build students' confidence so that they become independent gallery visitors, able to engage with the Collection critically. Catering for children from pre-school age to A level students, teachers, school governors and parents, highlights of the first year include:

Family Programme

Public Programme and Courses

Over 11,400 people have attended ticketed discussions, talks, conference, courses and films at Tate Modern. Highlights of this year's programme include:

Film Programme

In addition to the state of the art auditorium, Tate Modern also houses a film and seminar room, which has enabled the public events programme to incorporate a wide-ranging film programme. Highlights included:

Programmes for the Deaf and Visually Impaired

Since its opening, Tate Modern's programme and facilities for deaf, hard of hearing and visually impaired people have been very popular. The programme, which has attracted over 240 people, has included:

These tours and events support the facilities available for the visually impaired at Tate Modern which include: dedicated audio tours; large print captions; access information in an audio format; and electronic reading aids including CCTV.

In addition:

Raw Canvas

Raw Canvas is a young people's peer-led programme for 16 to 23 year olds, supported by the Paul Hamlyn Foundation and devised in partnership with young people to provide accessible and engaging activities to bridge the gap between the pupil and the independent adult visitor. Highlights include:

Community Programme

Tate Modern's Community Programme, an introductory programme both to art and Tate Modern, is aimed at local community groups and organisations who may be new to using galleries and museums as resources and therefore need more encouragement to visit. The programme is particularly aimed at those who have social, cultural, educational or financial disadvantage, which has limited, or even excluded, their previous participation and involvement in art.

The programme is aimed at community organisations throughout London and beyond, but because of Tate Modern's commitment to its neighbours in Lambeth and Southwark, voluntary and statutory groups and organisations in these boroughs were particularly targeted.

Training / Employment

Bankside Arts Training Trust has:

Community Development

Notes to Editors

Contacts for press enquiries only:

Nadine Thompson/Sioban Ketelaar
Tate Press Office
Millbank, SW1P 4RG
Tel: 020 7887 8730/31/01

Erica Bolton/Jane Quinn
Bolton and Quinn
10 Pottery Lane, London W11 4LZ
Tel: 020 7221 5000

Please note that these contacts are only for press enquiries. For public enquiries see the Contact Us section of the website.

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